special introductory paragraph!

16 Unforgettable Hits

Go Now

Days Of Future Passed

In Search Of The Lost Chord

On The Threshold Of A Dream

To Our Children's Children's Children

Caught Live + 5

A Question Of Balance

Every Good Boy Deserves Favour

Seventh Sojourn

This Is The Moody Blues

Octave

Long Distance Voyager

The Present

Voices In The Sky: Best Of The Moody Blues

The Other Side Of Life

Sur La Mer

Keys Of The Kingdom

The Story Of The Moody Blues: Legend Of A Band

A Night At Red Rocks With The Colorado Symphony Orchestra

(John McFerrin reviews) Time Traveller

Strange Times

16 Unforgettable Hits - Soundwings.

Go Now - London 1966.

Days Of Future Passed (with The London Festival Orchestra) - Deram 1967.

There's just so much to enjoy within this magical sleeve of cardboard! The orchestral segues, the unintentionally hilarious poetry at the start and close of the record, the fantastic R 'n' B leftover "Peak Hour" (which truthfully doesn't fit on the album AT ALL, but man am I glad it's there! It's a dang goody!), flute virtuoso Ray Thomas's first of many hokey childlike ditties, "Another Morning," organist Mike Pinder's first of many depression anthems, "Twilight Time" (if you're ever wondering where the "moody" in their name came from, look no further!), not to mention two of the greatest overblown pop songs of all time, "Nights In White Satin" and "Forever Afternoon (Tuesday?)" (which actually has TWO equally well-written parts, but they never play the second one on the radio because radio programmers are nothing but money-grubbing art pimps).

Dopey, yes, but it works - and it's gobs more memorable than that generic Smashing Pumpkins thing that ripped off the concept thirty years later. And, just for the record, it's the last Moody Blues album that any major critic ever praised.

Until now.

Reader Comments

105002.1254@compuserve.com (Trevor A. Kotowich)
I am happy to finally find someone who thinks "Peak Hour" is bloody good tune!

105156.640@compuserve.com
Obviously, Sgt. Pepper is a major influence on the record. But it still was incredibly innovative, especially considering it was recorded in 5 days! For me. "Sunset" is the dull one on the album. That's the one tune on Caught Live that improves over the original studio version.

rlk0003@jove.acs.unt.edu (Robert Linus Koehl)
Mike Pinder didn't write "Twilight Time." It was a Ray Thomas tune. Mike wrote "Dawn Is A Feeling," and "The Sunset." John wrote "Evening A Time To Get Away."

monkey37@localnet.com (Scott Moore)
This is an excellent album that effectively pulls off the conceptual feel by effectively tying all the songs together, while still making them sound unique and all around great. I enjoy the entire album. When I got Pink Floyd's Dark Side Of The Moon, I found that the fact that the songs tied together made me want to listen to the entire album, but some songs I hated. Still, I listened to the entire album, and the mood did not change. It wasn't like an adventure like a Yes album (early), or a grand musical story, like this. I found it often tedious to listen to the entire DSOTM album, but this album, I love the entire thing. It's great. The moods are placed perfectly. Too many bands (Floyd) try to almost force the mood upon you, but this band did it with great music that brings you into a new world and a new feeling with each song. It's just amazing. No one, no bands have done this before or successfully copied it since. This is the best concept album of all time, and it isn't that the songs are the best, and they are great, but it's because they are all tied together to tell a sort of story, and all invoke different moods, subtly instead of forcefully. It's genius.

MikeRobWil@aol.com
This was the first music I ever made love to. I'm still not sure if it was just the right time to finally get out of the gate, or if it was the music! I do know that after all these years I still like to crank it up loud, find a special woman and hope I get lucky. If this isn't a classic, nothing is!

tpeterson@fsi-intl.com (Tim Peterson)
Great album, and all the songs fit, even "Peak Hour." It's the adolescence, the youth of the album. Think of the album as a story of life. THE DAY BEGINS, birth. DAWN and THE MORNING, childhood. The world is an awesome place. LUNCH BREAK: Peak Hour, adolescence, late teens, early twenties. We can do anything, energy to spare. THE AFTERNOON, falling in love, starting a family, working. EVENING, old age, the twilight years. Tuesday afternoon theme returns, still in love. THE NIGHT, death, mourning. Listen to "Nights in White Satin" and think of an old man, sitting by the coffin saying goodbye for the last time. Thinking of all the things he thought but never said. Wondering how anyone else can know how he feels. It'll bring tears to your eyes. The Moody blues, one of several bands I encourage my children to listen to, and play for them whenever I can. (The others being The Beatles, Van Morrison, Jethro Tull, and Yes).

AVUZ70A@prodigy.com (Thomas Morgan)
I was 17 in 1967, when I first heard DOFP. It may have been a bit hokey and superficial, but so was I. What may be lost in retrospect is that up to that time there had been nothing quite like the moodies sound. And I still listen. I enjoyed your views.

ELLASO@puceuio.puce.edu.ec (LASO ORTIZ ESTEBAN LEONA)
For me, the most meaningful thing of all the album is the "Late Lament" poem by Graeme Edge, and especially the verse "Cold hearted orb that rules the night / removes the colour from our sight. Red is gray and yellow white / but we decide which is right / and which is an illusion?" That's it: you decide what is right and what is an illusion in your own life. Isn't it amazing?

cellerd@dreamscape.com (Chris Ellerd)
Born in 1961 i was. I was 7 when Days of future passed came out. I remember hearing "Nights in white satin" around 1970. Being a musician myself, I must say that there is an innate sensual, even sexual quality to the Moody Blues. Deeply emotional, the music itself explores the male/female dichotomy quite skillfully, but also retaining a raw, guitar oriented edge as well. Subtle.Sensitive.Sexual.

Lansman@iceland-c.it.earthlink.net
I have 3 versions of this work on vinyl and another 2 on compact disk. It is an emotional journey for me each time I hear it, and particularly brings back the feeling and emotions I had while listening to it over 20 years ago while driving though the Utah and Arizona deserts. "Tuesday Afternoon" and "Twilight Time" stand up emotionally to anything that can be produced today!

William.L.Porter@boeing.com
If memory serves me the only change in line up from the Magnificent Moodies to Days of Future Past was Denny Laine leaving and Justin Hayward arriving. The change in sound I attribute to Justin's arrival and Mike Pinder relinquishing the leadership direction, thusly the loss of the R&B sound, which I regret. Even Pinder's solo works suffer from the lack of R&B.

Mats.Brostrom@srk.se (Linda Brostrom)
8 out of 10, you must be joking! This is Moody Blues best album ever! And what is this constant picking on Mike Pinder??? I have read your comments about the other records, and I do not agree with you concerning Pinder. I think he is the best songwriter in Moody Blues, and his finest song is on this album, one you don't even mention: "Dawn is a feeling".

Nickrj@aol.com (Nick Johnson)
I'd say this has to be their best album. They describe the day of mankind. And "The Morning" is beautiful. "Peak Hour" is a rocker. "Time to Get Away" is also beautiful (I didn't know John could sing Falsetto.) But the two best songs are "Tuesday Afternoon", and "Nights in white Satin". Not bad for 20 year old Justin to make two great songs.

gclavio@indiana.edu (Galen Clavio)
Actually, there were two lineup changes between the Magnificient Moodies album and this one. Laine checked out and they tagged Justin Heyward (they got him after he responded to a newspaper ad asking for a guitarist for a "mystery" band, which in fact was The Animals). Former bassist Clint Warwick also exited stage left, replaced by the inestimable John Lodge.

javajim@csinet.net
I HATE "Peak Hour". It totally doesn't fit with the rest of the album, which is awesome. I love "Twilight Time" and "Nights in White Satin". This is the album I listen to when I'm going to sleep at night.

tabasco@worldnet.att.net

Well I'm not exactly a Moody Blues fan yet but i got this album. It is terrific in my style of music. I like "Tuesday Afternoon", "nights Of White Satin", and "Twilight Time". I think this is there second album and it did come out the same time Pink Floyd's Piper At the Gates Of Dawn in 1967. I never heard the Moody Blues in there "Go Now" Period with that Denny guy. Do they sound good. And i also heard a few other songs see my review for Legend of the band. I give this album an 8.

fyodor@mixcom.com (Zimmer)
Days is simply an amazing album as were most of the Moodies' albums were of this era.(67-72) Kudos to you for mentioning that there is another song after Hayward's "Forever Afternoon(Tuesday?)" on the same track which is Lodge's "Evening:Time to get away" and I believe it is better than the former. Also, Pinder's contributions are excellent(by the way, he's my favorite member of the band because he is the most original.) "Dawn is a feeling" and "The sunset" are simply brilliant. I think that this album is severely underated in the wake of SGt Pepper, even though it is much better than it.

marylait@sover.net
A masterpiece.Sure it's naive in places,but remember it was created in 66/67 and they were very young.I like all the "songs" with the exception maybe of a few parts of "Evening". Arguably the first "artrock" album.Very influential on groups such as King Crimson and Genesis.

dstreb@mail.ssnet.com (Daniel Streb)
For the love of God and a note to all you in Internetland that can read this: DO NOT get this album on CD!!!!!! It sounds absolutely terrible! The original masters were deteriorated so the record company put out a terrible version of one of the greatest albums ever made. The harmonies sound strained (especially on evening time to get away) because only one guy is singing. The intro and end to "dawn is a feeling" is forceful and unsegue-like. AND the entire rhythm track to dawn is a feeling, another morning, forever afternoon and nights in white satin is too interrupting of the mood. Please buy this album on vinyl with the original deram record label. That version is a masterpiece and the greatest album of 1967. The CD version is a lame unsuccessful conversion. a lame four

stoo@imsa.edu (John McFerrin)
Did I just read "a lame four" while talking about DOFP? I have the version in question, and I don't care if the segues are off here and there or if John is singing by himself on Evening (which doesn't sound too bad, in my opinion). It is still Days of Future Passed, and even a muddled up Days deserves at least an 8.

starostin@geocities.com (George Starostin)
Hmmm. Well, if this is a masterpiece, I'm totally baffled. You mean you SERIOUSLY dig the orchestration? Sure, it's nice and there's nothing nasty about it, but you can hear tons of equal and better stuff on any MGM soundtrack produced for over fourty or fifty years! It's just your basic pop symphonic music, and the only thing that somehow redeems it (only as a groove factor, not as a serious work of art) is that this is indeed the first major experiment in combining rock with classics.

The songs themselves are rather good, of course. Not outstanding, but pleasant. 'Nights In White Satin' are pretty cool, and in general I far prefer Side B - somehow it manages to rock out a little harder. The only thing I utterly HATE about the record is the opening and closing lyrical bit. 'Hilarious', you call it? 'Atrocious' would be a better word here. We're not listening to An American Prayer, by any chance? Also, I doubt whether this album is 'dopey'. I think you call too many things 'dopey'. Syd Barrett's music is 'dopey'. That's why a lot of it stinks. A couple Beatles songs are 'dopey'. That's why they are so beautiful. But this ain't dopey. It's just... OK. I give it a 7, with chances of improving over repeated listening.

stoo@imsa.edu (John McFerrin)
I seem to be in the minority of people who actually enjoy the mix on the remastered CD. For starters, I like the lack of segue in Dawn is a Feeling. I mean, the CD is about an archetypical day, right? Well, I don't know about you, but I snap out of dreamland, which I think of as the orchestration, very abruptly, and my day begins right away, whether I'm ready or not. I guess that could be phrased better, but hey. I also actually like the lack of harmonies in most of Time to Get Away. The song conveys a wonderfully accurate feeling of exhaustion, which speaks to me quite clearly through Lodge's strain to hit the upper notes.

The orchestration is a nice touch, but that is not what makes it a classic. What makes it a classic is that the songs are so, well, _correct_. They depict the emotions that one feels at each point in the day absolutely to a tee. THAT is why this album deserves a nine. And the poetry is great. Dopey, but great. They day ends with a poem as night comes in, and begins as night exits. Just like real life.

BowerGreg@aol.com
I have loved this album ever since I bought it on vinyl in 1968 (as a sophomore in college), and 31 years later I still love it! To listen to it from beginning to end is a deeply spiritual experience, a view of our lives as seen from a viewpoint beyond the "self", revealing the underlying full- ness of both the ups and the downs of the human experience. Sure, it sounds a bit more naive to me now than it did then, but its constant undercurrent of burning compassion for all humanity transcends that, and the beguiling melodies, expansive harmonies and bold chord progressions all work together to create an unforgettable experience. Although the Moody Blues' first 7 albums (not counting Go Now) all occupy the same exalted plane, DOFP occupies it more consistently than the others. There is just one thing that bothers me, though: As one or two previous e-mailers have pointed out, when the album was first transferred to CD, the vocal harmonies in the "bridge" to (Evening) Time to Get Away ("Live all you people...") were dropped, leaving poor John singing falsetto all by himself. Although his singing is awesome, this "melody" doesn't make musical sense by itself. It only sounds right with the original vocal harmonies. I can't understand why they were dropped and I'm sorry to hear this was not corrected on the newly remastered CD release. Does anyone know how I could get in touch with Polydor, or even the Moodies themselves, about this?

rcbmarcomm@nwinfo.net (Richard Burger)
On the review of Days of Future Passed, you say:
Mike Pinder's first of many depression anthems, "Twilight Time" (if you're ever wondering where the "moody" in their name came from, look no further!) Um, that sounds like a pretty good reason, but the "moody" in their name was chosen because the original band members liked the song "Mood Indigo". You probably already know this, and I hate to insult your intelligence, but just in case you didn't, I thought I'd say something. Incidentally, how can it be that you have pages on Yes and ELP but nothing about Genesis? They've always been my favorite band, so I was pleased that I didn't have to watch you rip them to shreds, but still...

bgreenstein@nctimes.net (Ben Greenstein)
Not a masterpiece - they came out with plenty of albums that were loads better than this one. Anyone who says that this is a great album probably has never heard Children's Children or Threshold Of A Dream. A seven, for me.

I LOVE "Peak Hour." And your right about Pinder, most of his songs are completely pointless.

brooke.demartini@asu.edu
I remember my sister discovering them. Tuesday Afternoon was the song of my childhood. I fell instantly in love with their sound and down to this day have yet to discover a band that sounds like them. Days was their true premier album. I would never be without it.

squamous@interaccess.com (Terie R. Hopper)
Being a recently converted Moody Blues fan (Born in 1975 I was--I mainly remember their 80's music from my childhood), I have to say that Days of Future Passed is one of the most BEAUTIFUL albums EVER! And "Peak Hour" ROCKS, no matter if it doesn't fit with the rest of the album. I am obsessed with the song "The Sunset" as well as "Dawn is a Feeling," both Mike Pinder songs. He is an excellent songwriter--just as good as Justin, only in a different style. I think it is a masterpiece, and the orchestration behind it truly makes the album. I can't go to bed at night until I have listened to this album!

alanspringer@webtv.net (Alan Springer)
I remember well the first time I heard it. After the initial intro when hearing the first chord Michael Pinder played on "Dawn is a Feeling" using an instrument I had never heard before (The Mellotron),chills ran up my spine. I was hooked and have been a fan ever since.As with a long term love affair,there are ups and downs and mixed feelings at times,but the love you have carries you through. No amount of superficial criticism can effect the way this individual feels about the Moody Blues,and this wonderful album. They have become such an influence on my life that the above analogy is the only way I can describe it. I am now 57 years old and can only say that during those times,no one,not even the Beatles,had the chemistry that spawned those albums that were created after Justin and John came aboard. Graeme,Ray, and Mike set the stage and provided the solid base needed for the new members to take the band into unexplored territory.As a result, Days of Future Passed has easily stood the test of time, and even in the distant future, will be fully appreciated for the milestone album it truly is.Each band member played an equally important part in it's creation. Like a jigsaw puzzle,the picture can't be complete without each piece being there. Thanks for the opportunity to let me have my say for what it is worth.

KevinMartinell@aol.com
Days of Future Passed is a classic Moody Blues album! I love it! I have both the original vinyl version and remastered Cd version of this album, and I actually like a little bit of both versions! What I like about the Cd version is that the 'stereo' quality is so much better, (except for "Nights in White Satin") with stereophonic vocals on "Another Morning," "Peak Hour," "Tuesday Afternoon" (middle of song), "Time to Get Away," and "Twilight Time." I also like the little additional pieces to the end of "Another Morning" and the orchestral intro to "Peak Hour!" I also like the Cd version of "Tuesday Afternoon" because the sound quality appears more clear (Love those mellotrons!). I wish the Cd version, if it were possible, kept the backup vocals for "Time to Get Away," the piano, that accompanies the strings, in "The Sun Set," and the original version of "Nights!" ...I like the vinyl version of "Nights in White Satin" better, because you can really hear the lows of the bass! It also has more echo in it, compared to the Cd, especially during Ray Thomas's flute solo, and also on the mellotrons... Sounds kind of "dreamy-like" to me! I'm glad that Time Traveller and Moody Blues Anthology keeps the original version of "Nights!" It would have been interesting if the Cd contained bonus tracks of the rare early singles with Justin and John, "Fly Me High"/"Really Haven't Got the Time," "Love and Beauty"/"Leave This Man Alone," "Cities"/"Nights In White Satin" (short version) at the end! I think that would have made a great song line-up for the remastered Cd.Days will always be a favorite of mine! :)

richbunnell@home.com
An eight is a little low for an album that nears musical perfection. This is definitely the most coherent album the Moodies ever released, even though this coherency was mechanically engineered by a bunch of record label suits. The corny orchestration and crummy poetry aren't problems - they'd suck on their own, but on here they really pull the album together into an organic whole. The songs are great too; every single member contributes some of the best material of his own respective songwriting career, particularly Hayward - yowee!! "Tuesday Afternoon" simply has one of the greatest vocal buildups ever crafted by mortal man. I'd have to side with Evan Streb that by no means should you buy the original CD pressing of this album, though - choppy is the word of the day, so if you hear it, SCREAM REAL LOUD! Isn't that right, Conky? Err -- I'd give the album a nine.

Jmundiejr@aol.com
Seems everybody thinks (Peak Hour) doesn't fit .To understand the music you have to understand the times .There is more than one meaning to peak hour not just lunch break.I don,t think the album would be complete without it .

In Search Of The Lost Chord - Deram 1968.

Well, there's a song called "Om," for one thing; that alone can turn a guy off pretty quickly. There's also a bunch of hold-up-two-fingers-and-smoke-reefer songs, like "Voices In The Sky," (which is about, of all things, birds tweeting), "Legend Of A Mind" (which you probably know as "Timothy Leary's Dead," because radio DJs don't bother telling you the real title cuz they're just after the green), and "Visions Of Paradise," which I think has a sitar, in addition to the omnipresent flute; one thing about the flute I'd like to mention while I have the chance - it sounds very very good in this setting. I know you probably don't like the idea of a rock band with a flutist because of what those assholes Jethro Tull (no offense, Cliff) did with the concept (i.e. made the flute an absolutely unlistenable instrument, second only to Ian Anderson's voice), but Ray Thomas does a great job of just adding touches of class (or gleeful flooty -too) to the murky melodies emanating from the amplifiers. Like a child urinating maple syrup all over the freshly-fallen winter snow. Yes. That is precisely what it is like. Let us speak no more of it.

So what other joys await you if you shell out the George Washington for this particular time-worn psychedelic relic from yesteryear? More bad poetry, courtesy of drummer / poet / artist / visionary / dreamer Graeme Edge, some weird and cool stylistic experimentation in bassist John Lodge's "House Of Four Doors," a couple of terrific jumpy rockers ("Ride My Seesaw" and "The Best Way To Travel"), and another flaky Ray Thomas number ("Dr. Livingstone, I Presume") - there's honestly a bunch of really infectious tunes here, but man all that hippie crap just hasn't aged well at all. As if all the "la-di-da" songs weren't blatant enough, they were kind enough to include notes on meditation and a huge "yantra" on the inner sleeve . How long did they think people would be able to take them seriously? Just till the drugs wore off? (Or, in my case, till I realized that Jim Morrison was, in fact, a lousy poet; I know it seems unrelated, but there's this whole big memory of tie-dyes and potheads and.... ugh, I'm glad puberty's over.).

Reader Comments

105002.1254@compuserve.com (Trevor A. Kotowich)
Lighten up on Graeme; after all I think he is the only one in the group with a sense of humour!

105156.640@compuserve.com
I don't think there's a dull moment on the record. It's, of course, a product of its time. It's cool to listen through phones at all the sounds they were trying to get.

monkey37@localnet.com (Scott Moore)
HEY! Once again we disagree! I love Jethro Tull Music, but usually the stuff that makes the band blow at times is the horrible use of the other istruments and the flute in those stupid poorly written jam session, Yes-Relayer-type crap, like in the middle of "Songs from the Wood", that turns a beautiful tune, with the same type of classy flute (classy means boring to me, but...) that is in Moody Blues stuff. Ian Anderson's voice is nice - not the most melodic of things, but I enjoy it. You have to give Tull a chance, past stuff like Aqualung. I respect what he can do with a flute, wich is make it sound like anything he wants. Sure, sometimes it can be bad, but I enjoy it. You have to be able to look past the fact that....."Oh, my God! What is he doing with that beautiful melodic piece of equipment, a flute is NOT supposed to sound like that."......and, like I've said before, just sit back and listen to the music, and try to enjoy it, and if you've honestly given it a chance, then you can trash it over the internet, or throw it from a twelve story building like I did to my Tragically Hip CD.

vidcon@buffnet.net (Ed Sewastynowicz)
Are you out of your mind? In Search Of The Lost Chord is one of the best rock albums ever. A full 10 out of 10! Using The Ramones and The Moody Blues in the same sentence is blasphemy! That's like narrowing your car choices down to a Geo or a Mercedes!

lewallen@Oceana.net
Hey now, give Greame a break!! I really loved the discription of "House of Four Doors." This is one of my favorite records!!!

Azeal777@aol.com
I think this album is great. Graeme poetry is really great and I love all of the songs that are too "hippie".

AVUZ70A@prodigy.com (Thomas Morgan)
"Voices In The Sky" is my favourite.

davids@dpscreative.com (David Schlaifer)
PLEASEEEEEE... do not miss the point; the music was a product of the times and that is exactly why it is so "hipppie" as you say. The times they were a-changin and the Moodies helped to articulate that in a very unique musical way. Sure, it can be considered "hightimes" music, but that was what was happening at the time. Let me add, the guys still rock today inspite of all the ragging they take for towing the line and staying true to their sounds. The bottom line is..the Moodies are cool, end of conversation!

Olias@webtv.net (Justin Strohm)
I think "Om" is awesome! It's especially good if you like the sitar and know a little about Eastern religion/philosophy. Also, "The Best Way To Travel" is great. I love "hippie" music.

"type your username"@teleport.com (Tom in Portland)
Enjoyed your page, but HEY! Enough Ray-bashing! Haven't you ever heard of whimsy? I'm a post-boomer and came across ISOtLC 15 years after the fact, and it's a perfect time capsule for the period. Why can't you dino-boomer types embrace your past? You were blessed to have experienced this music in the 60s!

fuzzybunny@usa.com (Marko Spasojevic)
I think In search of the lost chord is probably the weakest, and most disappointing album Moody Blues ever made. (i am only talking about the pre seventh sojourn recordings of theirs; all the stuff they did in the 80s is just hard to compare to anything they did before) In fact, I think there isn't a single worthy song on that album. Even the best song on that album ("ride my seesaw") is rather weak, and occasionally annoying. I find this album to be rather odd especially since it was crammed in between the two best albums they ever made - Days and Threshold.

Mr.Scott@worldnet.att.net (Pete)
In Search Of The Lost Chord is still my favorite album. Lots of feeling here. Hey I didn't particularly like "OM", but it's there. And lighten up on the hippies, it was fun.

Nickrj@aol.com (Nick Johnson)
Another great one, Ray's songs are the best in this album. Graeme's poetry may seem a little weird.

tanx@gte.net
For crying out loud! Of course its a "hippy" album! It was written in 1968. They were playing to the audience of 1968, not, 1997. You don't hear them doing music like that now do you? And, btw, I still enjoy the album a lot more than a lot of the foo foo rah that comes over the radio now.

javajim@csinet.net
Hey, I love "Visions of Paradise". That's probably my absolute favorite Moody Blues song. The flute just grabs you and takes you right out of the galaxy. Well, that's what it does to ME, anyway. But I think it's a great album, and "Om" is actually a pretty listenable song, despite the hippieness. "Voices In the Sky" just gets on my nerves. "House of Four Doors" is actually pretty disturbing if you listen to it right.

fyodor@mixcom.com (Zimmer)
A superb follow-up to Days. It may be hippified, but the music is nonetheless excellent. "Departure" is the best use of Greame's poetry because of how it leads into "Ride My See-Saw". The final chorus to Ray's "Legend of a Mind", is possibly the best Moody Blues music ever recorded. "The Best Way to Travel" is another Mike Pinder gem; I simply love its lyrics. "Voices In the Sky" is the the only weak song on the album. I think that Hayward is a bit overrated, I mean his song are good but sometimes he get a little cheesy. But "The Actor" is a very good song.

Bigrynz@aol.com
I am only 20 years old, wasn't even born when the LP was made, and I've thought it's the best album of all time since I was about 2 years old! I've heard millions of records since that time, and I still rank it as one of the most creative pieces of music I've heard. I can see how one would dismiss songs like "Dr. Livingstone" as cheesy, "Om" as hippy crap or whatever you want to call it, but I happen to love the sounds of sitars and Mellotons and strange electronic effects. For once I'd like to see a good review of this often trashed masterpiece!!

hijinks@utarlg.uta.edu (Thomas Rickert)
Well, I guess you are right about all that hippie dippie-do. But, jeez, accusing the Moodys of being hippies is like handing out tickets at the Indy 500. I mean, they are kinda like the definition of the term. And this is one is my fave, because it IS so over the top. Its so lush and rich and gorgeous, and you can't take any of it seriously. OM always makes me laugh, but its so beautiful, too. This one is a ten, the only Moody Blues record that is a ten, except maybe for Our Children's. The poetry is completely stoopid, of course, and that voice of god on the mount delivery only makes it worse... but the trick is to accept it as part of the times, to laugh, because we have moved psychically so far from the space/place where this kind of music was possible. Except maybe for Sky Cries Mary. And speaking of Sky Cries Mary, where are your reviews for that band? The ultimate in 90s psychedelia, and from Seattle no less, and nowhere to be found on your page, and then you give the Moody's greatest album an 8 when it should be a 10, and sigh, what is the world coming to!? I ask of thee.

Tecmofiend@aol.com (Jason Penick)
Overall I don't care for this album as much as some of the others. The psychedelic mellotron-based sound explorations are pretty breathtaking, but you're right-- the hippy-dippy stuff has aged pretty poorly. "Legend of a Mind" is still an awesome song to me, even though most fans don't seem to like it. I really like the way the melody twists and turns in unexpected directions, building up to that glorious refrain at the end. Still, my favorite song on the album (maybe on any of their albums for that matter) is "The Actor". As for Greame's poetry I'd have to agree with the consencious... "face miles of trials with smiles" makes me guffaw everytime I hear it!

starostin@geocities.com (George Starostin)
Ooh. Better. No friggin' orchestration. Still, not THAT good. The usual lyrical bit in the beginning and in the end pretty much defines the word combination 'ferociously banal'. And some of the songs mighty suck. Suck mighty. I like 'Dr. Livingstone I Presume', a nice childish ditty, and 'House Of Four Doors' has a charming refrain and an original concept, and 'Ride My See Saw' is OK. The rest are forgettable pop tunes. Oh no, 'Voices In The Sky' has some cool singing. But that's it. These guys were good, but pretty much imitated The Hollies - only with a lot more bombast and a little less talent. And quit bashing Jethro Tull. Speak for yourself. :)

stoo@imsa.edu (John McFerrin)
I'd like to give it an 8, but I can't. Whereas on the last album I felt the poetry was extremely effective, here it's just ... dumb. And Om is decent, but not great. And I hate Dr. Livingston I Presume. And Ride My See Saw is just good, not great. But Voices in the Sky is beautiful, The Best Way To Travel, is terrific, and The Actor is _awesome_. All in all, a good album, but quite uneven. Worth a 7.

DTMTIGER@aol.com
I giive it a 7.Legend of a Mind gets on my nerves because I'm not "hippie" enough to like a song that glorifies drugged out wacos like Timothy Leary.

msmith48@snet.net (Monica Smith)
This album was a real jewel in its time, in 1968 when they played GOOD music with a meaning instead of all this rap garbage. Yes, it's "hippie", but personally speaking, I'd rather be a hippie than a product of the 90's. Thsi is a great album, one of the Moody's best. It has "The best way to Travel," which is the only Mike Pinder song worth listening to. And of course, there are the 2 great songs by John lodge, "Ride my see saw" and "House of four doors". This is undoubtedly an awesome album!

squamous@interaccess.com (Terie R. Hopper)
The testosterone that accompanies this review is overwhelming--lighten up on the band here. Yes, it is a very hippy-druggie-esque album, but look at the time period it comes out of! There are some very beautiful tunes on this record, if only you'd see past your obvious distaste of poetry and actually happy songs.

GRIJ@chevron.com (Jennifer Griggs)
Yes, definitely a hippie album but that's what makes it so great! Everytime I listen to it, I feel inclined to get Indian food and burn incense. I have owned the CD for quite some time but just recently truly listened to the lyrics of "House of Four Doors" and understood fully what John Lodge was trying to say. "Legend of a Mind" reflects Ray's talents on the flute (especially when done live). OK, you say "Voices in the Sky" is about nothing but birdies chirping, well, could you take something as simple as the subject of birds chirping and make it into a song as gorgeous as that? This CD is a perfect example of the Moodies unique gift of presenting depth, true emotion and symbolism in each of their songs. I give it a 10!

Sally633503009@aol.com
10,10,10, that's TEN, for sure. Ah, huh! The Moodies were some of the best and first world beat bands/musicians on this album. Their use of sitar, tablas, etc. is the most, if not only, really respectable effort among other bands trying to do the same thing around the time. "Visions of Paradise" uses a very basic western 5, leading tone to tonic sort of gesture, and totally ingeniously makes it sound not only exotically East Indian, but downright otherworldly (which it should). I have been translated by that melody ever since I heard it. There is a paradise, and that song came from there. This album is obviously influenced by the late 60s interest in meditation/yoga trend, but is actually, by virtue of having been exceedingly well-done, TIMELESS. Meditation and yoga, issues about life and death, regeneration, transformation, transcendence, etc., are basically ongoing in any genuine human experience; and I can relate to this album as not only a good musician, but as someone who is inspired by transcendence and heavenly beauty. For poetry and music, I am grateful that it has been a part of my experience. Sounds to me like they found that Lost Chord, a lot of times. -

bpurdy43@aol.com (Brian Purdy)
I am surprised that there are not more comments about The Actor which I consider to be one of the most haunting Justin Hayward tunes of all time. It still raises the hair on my arms today as it did back in 1968. Lyrics and melody that evoke feelings of uncertainty, longing, love (either lost, present or future) and a hope for the future. Appropriate then as it is now.

richbunnell@home.com
The concept is dumb (the Lost Chord is "Ommmmm"? Whatever), but this is a really well-written album. It doesn't sound a bit dated to these ears compared to the band's other stuff, and it's definitely a lot more interesting than some of the later albums in their "Big Seven." My favorites are Ray's tunes along with "House Of Four Doors," "Ride My See-Saw," and "The Best Way To Travel." The only minor stinker to me is "Visions Of Paradise," a floaty filler tune which doesn't need to be there. I'd give this one a nine!

And to Scott Moore, the Tragically Hip freakin' rule. Unless you're a Canadian, I guess, in which case they're probably horribly overplayed. But I'm an American! Nyeeeeah!

kenyon@csinet.net (Amanda Kenyan)
Hey now, Mr. Bunnel - you have dissed on my favorite MB song and have therefore left me no option but to purposely misspell your name in order to wreak revenge on you in a childish and juvenile manner. Visions of Paradise is gorgeous! Not hokey at all! And it certainly DOES need to be there! Okay, I'm done defending my beautiful little song now.

As for the rest of the album, it's great too! Probably my second-favorite, behind TOCCC. I don't really like Ride My See-Saw, though....it seems kinda silly to me. (And yes, you have my permission to purposely misspell my name in order to wreak revenge on me in a childish and juvenile manner for dissing on a song you like.) I really love The Actor and Om (even though it's also kinda silly), and Legend of a Mind has always been a favorite. Not that my opinion really matters, though - everybody go buy this album and listen to it right now, so you can form your own opinion and yell at other people for dissing on songs you like. Wouldn't that be FUN?

Redmon48@aol.com
I was introduced to LSD and In Search of the Lost Chord at the same time in 1968. What a great introduction to both of the greatest highs one could have experienced at the time. It goes without saying that the combination of both the music and the lyrics of the Moodies and the eurphoric effects of the drug made for a life long commitment to the band that has never left me. In Search of the Lost Chord has a special place in my heart that I will never forget.

jason_a@earthlink.net (Jason Adams)
One of my dad's favorites. Except for "Ride My Seesaw" and "The Best Way To Travel", which are both pretty hokey, this album is really quite the sunny piece of chewed sidewalk gum. "Om"? There's a song on here called "Om"? And that house of four doors, which is probably in the bad part of town, where every room you enter reveals another tepid instrumental. Except the bathroom, which contains an ode to Timothy Leary. Makes me long for the brutal hard rock of the Beach Boys or Donavon.

horseshoe7@yahoo.com
I'm glad to see that there are others who have the same opinion regarding "The Actor" as I do. Once known as the defining MB "acid" album, ISOTLC will become known as the album that contained "The Actor". This song has surfaced as a real gem for the ages... the boys really bring their skills together on this one... Ray's Flute, Pinder's Mellotron, Justin's Lead, Lodge's spooky backup... it DOES raise the hair on your neck.

bird1@jps.net
Wow! You are really tripping! You have no clue what the Moodies are all about if you can trash this album. Honestly, you must be very superficial to not understand their message. What's wrong with talking about transcendance or drugs or timothy leary? or using poetic symbolism? What's wrong with writing a song about a bird? It's alot better than all the whining complaint rock you hear today. They wrote about soul stuff, universal truths, heart stuff, human stuff in a wonderfully rich, colorful whimsical way - their songs cut through all bullshit and get right to the truth. Obviously you don't get it at all. Think of the talent needed and the creativity to orchestrate their incredibly complex and layered tunes. And what's with all of this "hippie dippie" criticism? You prefer money grubbing yuppie attitudes of superiority to tolerance, judgement to love, static role-playing to free thought? Get out my universe!

On The Threshold Of A Dream - Deram 1969.

There's the rockin' follow-up to "Ride My Seesaw" ("Lovely To See You"), Ray Thomas's two surprisingly dark flaky songs, "Dear Diary" and "Lazy Day" (well, okay, a song featuring the lines "Lazy day / Sunday afternoon / Like to put your feet up / Watch TV" can't really be called dark, per se, but that "ahhh-ahhhh-ahhhh" chorus bit is a little creepy), a couple more stupid Graeme Edge poems (by the by, my friend Scott Haggard and I used to tape a picture of the band to the wall and try to throw darts at Graeme Edge; I guess I've never been much of a poetry fan), and two majestic Hayward ballads - "Never Comes The Day" and "Are You Sitting Comfortably" (which was co-written by Thomas, which explains the stupid lyrics about Merlin casting a spell).

I've said this afore and I'm sure I'll say it again before they throw my lifeless body into a sacred burial plot and light an eternal flame in my memory: these guys were all pretty great songwriters for the most part, but why in God's name did they ever let anyone but Hayward sing? He has the voice of an angel! And the other fellas just sound.... well, Ray sounds fruity and the other ones just sound boring - like a British minister or an elderly schoolteacher or Lou Reed - bleah casserole! The most miserable vocalist is, as you might expect, Pinder, who chimes in with two more suicide anthems, the extremely well-written "Have You Heard / The Voyage" suite that ends side two, and the crappy macho love rocker "So Deep Within You" (which appears to be about screwin') that closes side one. Yes, an absolutely miserable song, but the only one on an otherwise splendid record, even though the Rolling Stone Record Guide only gave it one and a half stars out of five. In fact, they pretty much gave every Moody Blues record one and a half stars out of five. Except, of course, Sur La Mer, which completely blows so they gave it two and a half stars. Whatever. I doubt they even listened to the records in the first place.

Reader Comments

105156.640@compuserve.com
Yes, I have to agree that this one plods a bit compared to the previous two. And I have to agree that it's Ray's fault - his 2.5 contributions are really boring. "The Voyage" is really innovative - the mellotron provides amazing orchestral textures. I like "So Deep" better than you - it sounds like the only time they attempted something a liitle jazz-influenced.

Limbeck@sprynet.com (Cody)
I'm not even going to read your reviews on these albums, after seeing these first reviews! Ask Anybody who's ever heard Moody Blues, music professionals or not, Days Of Future Passed is Legandary and brilliant. Anything less then a ten, on any kind of scale, is ludicrous. I'm a Moody Blues fan, in MY opinion, the ones you rated higher, I would rate lower! And the ones you rated Lower, I would rate Higher! We don't agree Musically!

MikeRobWil@aol.com
I agree with you about Rolling Stone's ratings being entirely off base. If anyone representing the magazine had really listened to any of the Moody Blues, their scores would have had to be much higher. Then again, they trashed The Doors too. Who ever gave Rolling Stone the credentials to judge musical taste anyway? I won't buy the rag and only look at the 3-4 year old copies I find at my dentists office.

Threshold is pure classic from start to finish and I include G. Edge's poetry in that comment.

lewallen@Oceana.net
Rolling Stone needs to get a grip. They are so biased, it's pathetic!! I'm glad you love Justin's voice, but please give the others a chance! John's, though not superb, is very touching. And Ray's is incredibly powerful!!

Azeal777@aol.com
What do you mean that they shouldn't let anyone but Justin sing? I agree that he has the voice of an angel, but what about John!!!!! I love John and I think his voice is really great. He can't do as much with it as Justin can, but the Moodies wouldn't be the same without John's voice. If you didn't like a lot of the songs on the album, how come it was on the charts for over 100 weeks?

Nickrj@aol.com (Nick Johnson)
This album has to be their weirdest. There is a warning. After "To Share Your Love" Mike scared the heck out of me when "So Deep Within You" started. He came up out of nowhere and said "TALK TO ME BABY..." this is a warning to all of you who are planning to buy this album.

javajim@csinet.net
HEY! I LIKE the lines about Merlin casting a spell! You have no sense of art. But I agree with you about the rest. "Send Me No Wine" was pretty good too. Rolling Stone blows.

fyodor@mixcom.com (Zimmer)
This is yet abother worthy effort from the moodies. "Lovely to see You" is perhaps Justin Hayward's best song. I can't help but to laugh at "So deep within you" although it is not a bad song. I like the mellowness and darkness of this album.

hijinks@utarlg.uta.edu (Thomas Rickert)
Ray does sound fruity!! But Mike Pinder sounds worse... like a child molester! My question is why they let him write songs; almost everything he wrote, except for the anamoly of Children's, is substandard and off.

krister74@hotmail.com
Adding some thoughts 'bout moody; I recenlty bought my 2:d MB:s album; In search, and it was somewhat better than Days of Future which was my first. In search is quite perfect, Lodge does some of his best songs, my favourite songs are by Ray Thomas, "Dr Livingstone" and "Legend of a mind". I am a bit disappointed by Haywards songs. They seem to 'nice' for me, "Voices in the sky" doesnt somewhat fit on such a psychedelic album.

And about the 3:d record, On the threshold..., it really disappointed me and still is, I just couldnt believe what I heard when the first chords of "Lovely to see you" hit me. What the hell was this? Really boooring melodies, not a hit, Haywards boring, stiff melodies, Lodge's even more dull songs, unbelivable, what had happened with them?

I really think this is a boring album, best songs: Have you heard 1-2, So deep within you. Otherwise Im really disappointed. I havent bought To our childrens... yet but i will do it, give MB one last chance. By the way, I am really into the more psycehdelic music, like Jefferson Airplane, Love, Doors, etc. so perhaps In search of the lost chord is the only MB record that fit" me...

starostin@geocities.com (George Starostin)
Wow. Even better. I mean, I can actually FEEL the progress they made with each new album. Hard to believe it, but there is at least a quirky little hook in practically EVERY song here, and some are downright lovely - 'Dear Diary' and 'Lazy Day', for one. The ending is a little murky, with orchestration coming in on 'The Voyage', and there's the usual banality by Graeme Edge ('I think therefore I am'. Thanks for reminding), but apart from these inconveniences, you really won't find anything annoying here. Not that all of these songs are great, but, like I said, there are at least some moments in virtually every song that can hold your attention (which I certainly wouldn't say about the earlier stuff). I definitely will not agree with the 9, because I still think the Moodies are nothing but a grandiose version of the Hollies, but a 7 is OK. Maybe even an 8 - if you're in the mood.

Which actually reminds me: all of you guys who fall all over Justin Hayward, go listen to The Hollies. It is absolutely unjust to love the Moodies and ignore the Hollies, who were by far England's BEST pure pop group throughout the Sixties. You can directly feel the influence of stuff from albums like 'Butterfly' or 'For Certain Because' on the Moodies' creativity. No offense - just a statement. And moreover, The Hollies never displayed even a millionth part of the Moodies' pretentiousness and pomp.

stoo@imsa.edu (John McFerrin)
Mr. Starostin's comments all over this website have, for a good while, puzzled me. I've tried hard to understand where he is coming from, and what would cause him to say such negative things about Led Zeppelin and Pink Floyd and to not like the orchestral stylings of the Moody Blues and Yes. And then it hit me like a ton of bricks.

Mr. Starsotin likes to harp over and over again about how he loves "pure rock music" and "pure pop music" and laments about sterile and highly derivative riffs in Floyd and Zep and how he hates orchestration and "pretentiousness and pomp."

"pure rock music"

"pure pop music"

That's a very bland concoction you've created for yourself, Mr. Starsotin. It seems that all the music you like has to have a "killer riff" and "structure" or you don't like it. You claim that "aura and atmosphere are not the only thing that characterizes a good band" in your review of LZ I, and you start bashing their riffs as completely stolen. You rip Dark Side of the Moon, giving it a _6_, for crying out loud, just cos the solos aren't tip-top and the riffs aren't great. While I would agree that aura and atmosphere aren't all that make a good band, riffs aren't all that are necessary either. When I listen to Zep, I don't really give a damn whether Page stole all of his material. There's a saying that good artists borrow, great artists steal. And these guys were _great_ artists. I don't care that there's no structure in Song Remains the Same (which is not boring at all, thank you very much) or that Achilles' Last Stand is 10:32. And I sure as hell don't lament that Led Zeppelin III is a fantastic mix of rock and folk (I read your review of Songs From The Wood, and I know that you hate pure folk music, which I kinda disagree with, but hey). When I listen to Floyd, I don't think to myself "man, these guys are only so-so instrumentalists." I think, "wow, no band has ever done more with less." The people in Pink Floyd were pure genius. They knew what their weaknesess were, and they compensated in spectacular fashion. And finally, when I listen to the Moody Blues, I sit in awe and wonder. For the Moodies didn't write great "pop". They didn't write great "rock". They wrote great "MUSIC." If that meant pooring in some folk, some r&b, and even some classical, they did so, because they recognized that music can take many, many forms.

If you limit yourself to pure rock and roll and pop and spend all your energies looking for "hooks" in each song and ignore such fundmental elements such as "harmony" and "melody", you will be missing out on a lot.

starostin@geocities.com (George Starostin)
Response to Mr John McFerrin

First of all, that's STAROSTIN, not STARSOTIN, mr McFerrin. Second, I don't know why it hit you like a ton of bricks, but you're not quite right about my preferences. I have nothing against orchestration as such. Orchestration on Quadrophenia, for instance (well, the elements of orchestration, to be more correct), works for me. So does orchestration on, say, Procol Harum records. Moody Blues orchestration is typical Hollywood movie soundtrack orchestration and nothing more. They could have easily done without it. It might have sounded original in 1967 but it sounds dated now. I don't mind complexity in rock music. And I don't think I've ever mentioned the word combinations "pure rock music" or "pure pop music" anywhere on this site. Well, I might have, in a couple of cases, but I don't worship these notions as much as you think I do. Yes, I said the Hollies were a 'pure pop group', but that's not a compliment or anything - it's just a statement. And even the Hollies were not always 'pure'. As for 'pure rock music', in my comments on Layla I doubted the possible existence of a pure rock tune. So you see - you're really going in the wrong direction. I also don't hate pure folk music. Songs From The Wood is NOT pure folk music, whatever you may say, it is Ian Anderson's representation of folk music and it doesn't work for me. The only pure folk song on that one, by the way, is 'The Whistler', and that's exactly the song I like on this album. So there.

What I put forth as the main criteria for good/bad rock music are a) originality and b) diversity (diversity!!! hear that, mr McFerrin?). This immediately leaves Led Zep out, for it is hard to imagine a less diverse group (although AC/DC comes close). This doesn't leave out Pink Floyd, but that's a third criterium: the musical skeleton. You are right about saying 'they know what their weaknesses were'. Their main weakness was that they couldn't write a great melody, with a few exceptions, and they compensated with special effects and intriguing production and stuff. That's all very well, but it's just like eating sugar without tea.

Next: I'm sorry, but I will always keep looking for a 'hook' in any song. Nah, let me correct that: I won't be looking for them, I'll just wait for them to come and get me. But 'get me', not just 'please me'. I cannot just relax, sit back and 'let the airwaves flow'. The song might be 'pure rock' or 'pure folk', and they might be this and they might be that, but they should be memorable and tasty, and not just display a 'technique' or a 'style' or a 'mood'. So you got me all wrong.

And forgive me my love for riffs. Please!

Also, you seem to think that I'm a great hater of the MB or Pink Floyd or anything. Nope, you just can't see my real position. I see how all of you hardcore fans swoon all over everything these guys put their fingers to and cry: 'This is the best album! No, this one is the best! On second thought, their third one was the best! It's fantastic!' I hate this attitude. You might have noticed I'm a huge Who fan, but you might also have noticed I don't leave no album without any critique. Of course, prog-rock and art-rock are much easier to criticize - that is because they often mask a lack of creative ideas behind a wall of sound and impeccable instrumental technique. Like Yes, yes. And like the Moody Blues. And like Jethro Tull. Not always, but often. They had a lot of great songs, but they also had a lot of pointless wanking. One has to wade through the dreck and fish out the pearls. That's how it goes with such things. You speak of the Moodies as being diverse? Don't make me laugh! They have a STYLE, by Jesus! I can immediately recognize a Moody Blues, but I could NEVER immediately recognize, say, a Beatles song - because they didn't have a style. They had everything.

Finally, since you're so keen on deciphering my musical tastes, here's one more puzzle for you. These are my two (current) favourite prog rock tunes: '21st Century Schizoid Man' by King Crimson and 'Dancing With The Moonlit Knight' by Genesis. Any idea why, mr McFerrin?

stoo@imsa.edu (John McFerrin)
Very well, I stand corrected. I guess I can understand your desire for diversity over style. While I may not agree with your ideas of "sugar without tea", at least I can understand them. I personally enjoy sitting back and "letting the airways flow" myself, but I can see where thtat could get old to some people.

Also, don't think that I am the type of hardcore fan who doesn't notice weaknesess in albums. Goodness no. For people who were as talented at melody writing as the Moodies were, they've managed to write a lot of crap. If I cared enough to, I could respond to every single Moody Blues album review and every single Pink Floyd review and give criticism and praise, but unfortunately I only have so much time as a college student. I think your Who reviews are truly excellent, btw.

Wrt to the style of the Moodies, yes, I agree that they had a definite style, but throwing in random influences into the songs was a part of that style. Order through structured chaos, I guess. I dunno, it's the best analogy I can come up with.

Finally, my best guess why you like 21'st century Schizoid Man is that you have much better taste than I realized. (I don't particularly care for King Crimson, tho my brother is a huge fan, but I think that song rules)

stoo@imsa.edu (John McFerrin)
Unlike some others, I love the final part of the album, the Are You Sitting Comfortably/The Dream/Have You Heard/Voyage suite more than any other part. I mean, Lovely To See You is good, but kinda dull. And while Dear Diary and Lazy Day are quite good, Send Me No Wine and Share Your Love are just ... ok. And Never Comes The Day is very very good, but not quite great. Anyways, the overall quality, for me at least, is not high enough to warrant a 9, but any lower than an 8 would be just wrong, so an 8 it is.

msmith48@snet.net (Monica Smith)
What is the matter with you? Lay off Ray and Graeme, they make up the backbone of the whole band. Ray's songs are NOT flaky, and his voice is a near match for Justin's. And half the songs would be so 2 dimensional without John's high soprano and Ray's baratone. Who's rating these albums, anyway?

richbunnell@home.com
Hmmph....I need to get the remastered copies of these Moodies albums. The only CD copies I have easy access to at the moment are a couple of the crummy '80s remasters which make the mix sound all choppy. Especially "Lovely To See You" on this album-- on the version I have it sounds all broken up, but I've heard a shiny, polished mix which was perfect! That's why I can't review Days Of Future Passed yet-- I don't care for that one too much but apparently the mix on the old CD is horrible so I could easily change that opinion later. This here album I like even with the crappy mix, however, and can tell that this stuff would rule in any given situation. Pinder's closing suite is a masterpiece. A few dull songs (like the Pinder/Hayward one before the suite) but it's mostly very, very good. A really high 8/10 with chances of improving.

jmoyer@sgi.net (Jason Moyer)
It really boggles my mind that while so much of their music was a rare combination of innovative and beautiful, the only songs that gain any recognition are the top-40 AOR crap that Heyward/Lodge did. Heyward always sounds like he's going to cry at any given moment with his over dramatic quasi-operatic vocal style (the deeper he pulls from his diaphragm, the more I cringe). The John Lodge pieces are generally totally laughable, with the cheesy vocal harmonies that make me want to listen to Pet Sounds again and the generally pointless lyrics and unimaginative instrumentation (Send Me no Wine could be a top-40 country song if you took the wannabe Beach Boys harmonies out of the chorus).

As with any other Moodies record, buy the CD, program the Pinder/Thomas/Edge tracks, and put it on repeat. Mix with a heavy dose of Pet Sounds and Syd Barrett for a fun afternoon.

kenyon@csinet.net (Amanda Kenyon)
Good album. Nothing on it really stands out to me, except for Are You Sitting Comfortably (I first heard this song at the beginning of my fascination with the Arthurian legends, and it stuck with me), but it gets the award for all-around proficiency.

And Mr. Jason Moyer.....with all due respect, what kind of hallucinogenic drugs are YOU on?? You really and truly don't like Hayward's voice? Wow....you're the first person I've ever come across who thinks that. Not that it isn't a valid opinion, mind you, just a new and different one. Well, if God had intended for everybody to love Justin Hayward, He wouldn't have let anybody else sing at all. But still...wow.

richbunnell@home.com
I said "a high 8/10 with chances of improving" in my comment three posts up. It's now about a year later, and I've purchased the remastered edition -- geeze. This album is perfect. I can't see why this isn't the Moodies' undisputed masterpiece, what with it littered with amazing, gorgeous songs and no real boring ones. "Lovely To See You," in a perfect world, would be in heavy classic rock rotation along with "Ride My See-Saw" and "Question," and Thomas' songs are really creepy and cool. Don't knock "So Deep Within You" - it's embarassingly macho, but it still has an awesome melody. A ten!!

MaxOmaggot@aol.com
Mr. Starostin,

You say that you wait for the hook of the song to come along, and that's reasonable enough, considering that that part of the song usually is the most... exciting. Or catchy. Or whatever. But either you fail to notice that the _other_ parts of the songs are important, too, or you realize this and simply ignore it anyway.

I find a lot more to like besides the hook, moreso in Moody Blues songs than any others I hear. For instance, if you were to ask me to sing the chorus of The Voice, I wouldn't be able to help you. I have no idea if it even has one. I guess it logically should, but I don't even care to figure out--it doesn't matter, because every part of The Voice is pretty much just as good as any other. Whenever I sing the song to myself, I don't prefer one part over another.

And what about the songs that have obvious, but weak (or perhaps 'less likeable' is a better descriptor), choruses? Like Nervous. I like the slower parts of that song a great deal; definitely more than the chorus.

(If you think Long Distance Voyager is the only album I've heard or something, don't be deceived; this is simply the most recent purchase of mine, and I've just gotten familiar with it so it is fresh in my mind.)

These examples probably aren't even the best ones I could give... but that doesn't matter. I find pleasure in sitting back and letting the airwaves flow. I think that's part of being a Moody Blues fan. I find myself putting on a Moody Blues album, and I sing and hum along as necessary, and then I turn my attention somewhere else for a moment and I've missed my favorite line, or my favorite song, or the whole album! But all the while I'll have been singing along, not even noticing. One reason why I sometimes go to sleep to their music--so I can concentrate and really hear the great details, most of which are NOT the intended hooks at all.

And then you talk about the Moodies lacking diversity. What is this? You honestly think the Beatles, out of all the bands you could have picked, best represent diversity? I have two very big qualms with the Beatles: their humor is dopey, in a very juvenile (original, but still juvenile) way, and all their songs sound the same. Either that, or everyone (except, perhaps, you) is born with the innate ability to recognize Beatles songs. These two factors equate to a fairly annoying band. I have to admit that I've never heard a Moodies song without knowing it was them, but this is because I only hear their songs when I expressly decide to put on one of their CDs (what, am I going to hear them on the radio...?) But you'd be lying through your teeth if you said they weren't diverse. These are the people who put My World and Veteran Cosmic Rocker on the same album. They have light songs (Nice to Be Here, Dawn Is a Feeling, Floating). dark songs (Twilight Time, When You're a Free Man Again, 20,000 Days, Reflective Smile), love songs (I Know You're Out There Somewhere, The Story in Your Eyes, It's Up to You, Dawning Is the Day), exhilarating rockers (Gypsy, After You Came, Veteran Cosmic Rocker), mysterious songs (You Can Never Go Home, One More Time to Live, Thinking Is the Best Way to Travel, House of Four Doors, Sun Is Still Shining, bookends of Question), and even innocent, children's songs (Emily's Song, My Little Lovely). Yes, they have a style. Everyone does. The Beatles most certainly did, and I thought it was a really awful one. Everything creative the Moodies ever did was great--their concept albums with poetry and orchestration, the flute, the mellotron!--and everything creative that the Beatles did annoyed the hell out of me.

I like the Moodies because I like their style. Their first 9 albums, as well as Strange Times, are each like a greatest hits album. I can't comment on the others becasue I haven't listened to them yet. And although J&J may represent the core of the band, it was Graeme, Ray, and Mike that truly set them apart from everyone else. Everyone rags on Graeme's poetry, but I love it. I've never thought of it as corny, always as powerful (I didn't start reading MB reviews until this year, and I've listened to them for well over 10 years--I had no idea people really thought this way about the poetry). The fact is that everyone brings (or brought) something great to the band, and they mesh perfectly. I love all of their songs--and I mean love--with the possibly exception of Words You Say. I just like that one... for now.

* To Our Children's Children's Children - Threshold 1969. *

These songs are slow, moving, uplifting, depressing, beautiful - everything that hymns are supposed to be. And EVERYONE contributes winners! Pinder's "Sun Is Still Shining" (was he on Zoloft during this period or something?), Hayward's gorgeous "I Never Thought I'd Live To Be A Hundred / Million" and "Watching And Waiting," Thomas's impressively serious "Eternity Road" and playful but superb "Floating" (there are, as of this writing, no words to describe the feeling of bliss that overcomes my entire psyche every time I hear that ascending "Fooooo!" noise), Lodge's mournful but lovely "Candle Of Life" and "Eyes Of A Child Part One" ("Part Two" is a rocker, and not as good), and finally, even ol' poem boy pulls a couple of topnotch rockers out of his goofy mustache; enough praise it is impossible to lavish upon the electric-guitar-driven, shadowy, mean space rock that is (are?) "Higher And Higher" and (or?) "Beyond." Buy this album tomorrow. It's dark and slow, but so is life.

Oh yeah, a few parts sound hokey. Deal with it. You'd sound hokey too if you smoked as much reefer as they did.

Reader Comments

scotiatb@e-z.net (Lisa McKenzie)
I completely agree --terrific album, every song right on!

laura@gseal.mdn.com (Galen Clavio)
It's a tossup between this and the last album, but Children's Children's Children is the most balanced album in their glorious '67-'72 run. "Out And In" seems somewhat like a paean to impotence ("I've been lying here for hours, you've gotta make the journey Out and In"...hmm), but hey, it's a Pinder song. Who knew what problems he was having at the time? (He was already bald at this point) Even Ray stays away from the Sesame Street poetry. (Surprisingly, the band has brought back "Eternity Road" for their current ('96) tour).

105002.1254@compuserve.com (Trevor A. Kotowich)
Quite simply... their best. "Eyes Of A Child Part 2," "Eternity Road" and "Candle Of Life" really turned me on to the band. Are we sure Justin didn't write "Eternity Road"?

bclaritc@selkirk.csrv.nidc.edu (Blaine Laritchie)
Thank you for agreeing with me. "Candle Of Life" has always been my favorite song on this album. John Lodge is a very talented, sensitive, expressive songwriter. He also knows how to rock'n'roll.

105002.1254@compuserve.com (Trevor A. Kotowich)
Yes, I like this one a lot, too. My least favorites, though, are Pinder's stuff. Kind of slow. I like "Gypsy", "Eternity Road" and "Candle Of Life" - that sequence of songs is really cool. "Gypsy" is far from boring - it sounds pretty amazing to me. Ray's two songs are among his best. "Watching and Waiting" was the single, by the way, not "Gypsy". It's unremarkable for a Justin song - he's got many that are better.

Doggman211@aol.com (Albert Sadler, Jr.)
You really hit it with this one! My favorite album by this band - no question! From the rocket blast opening of "Higher And Higher" onwards, the "space-rock" imagery is an easy concept to grasp (the fact that I first heard this album in the same year as the first manned moon landing only reinforces this for me). Of course, the music stands on its own as a timeless classic that gets a lot of play in my music room today! A real gem.

lewallen@Oceana.net
Wow! Somebody who actually isn't bashing this album! A lot of fans don't like it. But, I totally agree with you. I didn't really listen to it until last year (I'm 15. They were my favorite band in seventh grade, too. That was when I saw my first concert and got hooked), when I won the sheet music to "Eyes of a Child" and had to actually hear the song. Then I fell in love with the rest, especially "Candle of Life". John is such a thoughtful, energetic person! He can write deep and powerful, or the most driving rock! Plus, he's magic on stage!

Tangame@aol.com
I love Ray Thomas's lyrics. "Are You Sitting Comfortably" i love- THOMAS-HAYWARD COMPOSITIONS HAVE BEEN SOME OF MY FAVORITES- "VISIONS OF PARADISE" - "ARE YOU SITTING," "WATCHING AND WAITING" - SOME OF THE MOODY'S BEST STUFF. THOMAS'S LYRICS ALWAYS MAKE ME SMILE.

"type your username"@teleport.com (Tom in Portland)
Okay, I'm giving you a break on your previously loony opinions, because you are recognizing a genuinely cool album. Your song reviews for TOCCC are right on the money, especially the word "gorgeous" for "Watching and Waiting". Not many recordings can touch this particular track, and I never get sick of listening to it. As an aside, the version of "Gypsy" during the '95 tour was clearly a high point for the band... Justin's amplified acoustic guitar hooks blew the crowd away at a couple of outdoor venues that I attended, and I was left wishing that "Gypsy" had been picked over "Gemini Dream" for the Red Rocks set. The more recent revival of "Eternity Road" in the '96 tour was another nice tribute to the album, but I'd sure like to hear "Watching" live!

fuzzybunny@usa.net (Marko Spasojevic)
yeah, yeah, its a great album we all love it. but there is one thing that buggs me about it. It's the cheesy "Watching and waiting" single. A definitively worst song Moodies have ever done. I read somewhere that Justin expected from the song to be as big as "nights". And i can see deep inside how they tried to make it sound as "Nights" but 0nly succeeded in making a very lame song. The words make things even worse. There is not a single line in that song that I understood. And i really like other Moodies stuff. I do. Is there anyone else out there that hates this song too?

rgorsch@stmarys-ca.edu (Bob Gorsch)
Somehow, for me, there has always been something magical about this album. It's beautiful and majestic and moving as "space rock" and it has the feel of a coherent "concept album." "Gypsy" has always been my favorite, but "Watching and Waiting" and "I Never Thought I'd Live to Be a Hundred/Million" have an irreplaceable loveliness to them.

Nickrj@aol.com (Nick Johnson)
They're probably going to give this album to their great grandsons. It is a great album like you say. "Floating" and "Gypsy" are my favorites on this album. "I never thought I'd live to be a million" makes me think Justin is a lucky man.

i2lapawa@unibw_muenchen.de
an excellent album..one of the my best albums...i am not the fan of the conzept album...but children is one of the two conzept albums i like...(the other is the turn of the friendly card from APP)..i am absolutely agree with you that this album deserve 10.

javajim@csinet.net
I LOVE JUSTIN HAYWARD!! By the way, one of our marching band instructors looks just like him. They wrote "Watching and Waiting" for all the people who were stupid enough to ask "Why don't you write another 'Nights in White Satin'?" It wasn't nearly as big a hit as they thought it would be, but I still love it. :)

tabasco@worldnet.att.com
LISTEN UP!!!! I have 46 cds in my bedroom and I just got this on Saturday May 30, 1998 in New York. I bought it at the Virgin Record Store, largest record store I have ever been to and this is my favorite cd out of all the cd's I got. "Higher and Higher" starts out with a earthquake rumbiling and in the backround there's a choir in the backround. Then it comes to some kind of radio broadcast presented by the Moody Blues. I love "Eyes Of Child Parts 1 and 2", "Gyspsy" Fucking rock and well put. I love "Candle Of Life", in the middle it has a beautiful Piano symphony. I also love "I Never Thought I'd Live to be a Hundred" and "A Million". I wish i could. "Floating" kind of sounds like "Twilight Time". In "Sun is Still Shining" Justin disguises his voice deeper than ever. I love all the other tracks to. Very beautiful album. I'm sure their great grandchildren will love this cd. Really. I had a choice of getting this or Keys to the Kingdom. I bought this and I freakin love it. By the way I'm going to see them in concert on June 12th and I'm very excited. I love my favorite 3 bands. You know them. Oh yeah enclosing this review i give this album a 10, 10 10, 10 ,10 ,19 ,10 , 100,000,000,000,000,000 the last number is my good great terrific review number.

TwoPax@aol.com
This album is amazing. That's all. And while I don't agree with most of your ratings so far, this one is dead on. One suggestion: quit slamming Graeme's poetry. It is wonderful. Take it from a poet. Could you write anything like it? I couldn't. Try to be more objective.

hijinks@utarlg.uta.edu (Thomas Rickert)
Yep, a ten all right. Just a perfect album, and less hokey per second than on any other Moody Blues album! Gypsy is simply indescribably delicious.

stoo@imsa.edu (John McFerrin)
I agree with you that it's pretty pissy that TOCCC is pretty much ignored on recent compilations. But if there's any consolation, on Time Traveller, they include 10 tracks of it, though why Out and In made it in place of Eternity Road baffles me. I mean, yeah, Beyond and Out and In flow into each other, but they could have tailed Beyond off without doing Out and In quite easily

Oh well. Great job on the reviews overall. I don't think you give EGBDF enough credit - I feel that it is far greater as a whole than the sum of its parts, and even though I'm not sure why, I'd give it at least an 8-, but otherwise I can comply with most of your ideas. I do, however, think that the Red Rocks version of The Voice completely kicks ass, even with too many keyboards.

And thank you for agreeing with me that Dave Floyd blows

WAYVED@aol.com
To Our Childrens Childrens Children is such a great record! The Moody Blues had the coolest record label of all time, as well! Threshold! Those blue label reissues-you know the comet looking thing-please! Let me know if you agree on this!

I love alot of punk stuff, alot of metal, tons of what you call "alternative" (guided by voices #1!!!) but i still have to go back to my old favorites. Even though all their good stuff was recorded way before i was born-their music gets better with age! Fave song on here: "Out and In" and "Gypsy"

stoo@imsa.edu (John McFerrin)
To steal your description of The White Album - rules. The album rules. Higher and Higher and Beyond are _easily_ Edge's best contributions to the band. The Eyes of a Child/Floating suite rules, tho unlike you I prefer part 2 of Eyes. The I Never Thought ... tracks are short but gorgeous. Pinder takes a break from whining and just gives the listener two terrific spacey tracks in Out and In and Sun Is Still Shining. And of course, the opening tracks of side 2, Gypsy/Eternity Road/Candle of Life are the best 3 song sequence the Moodies ever put out, period.

I love this album. I love it more than Dark Side of the Moon, more than Fragile, more than Live at Leeds.

kenyon@csinet.net
I'm 17 years old, and my best friend is the only other person my age I know who has even heard of the Moody Blues. They're my second-favorite band, right behind and probably tied with Dave Matthews Band, and TOCCC is most definitely my favorite album of theirs. This and A Question of Balance were the hardest to find in my quest to own all of the core 7, and when I finally found this one, it stayed in my CD player for 3 weeks straight. (AQOB only managed 4 days.) This is absolutely magnificent. "Eyes of a Child I," "Gypsy," "Eternity Road," "Candle of Life," they all just blow me away. "Candle of Life" probably has the stupidest chorus of any song I've ever heard ("So love everybody and make them your friend," or something like that) but the rest of the song definitely makes up for it. This CD is definitely one I will never get tired of.

msmith48@snet.net (Monica Smith)
For once, I agree with you. A genuine Moody classic! The real hits are Higher and higher, Eyes of a Child, Floating, well, okay, all of them!!!!!

Sally633503009@aol.com
To Our Children's Children's Children is their masterpiece. Beyond words!

richbunnell@home.com
This is yet another in a series of great Moodies albums (a series annoyingly broken by Every Good Boy), but I wouldn't give it a ten like most diehard fans would. A high eight seems more like it. I have no quibbles with any of the individual songs, to tell you the truth, but none of them are really knockouts - it's just a whole album of "very good" songs. That said, if I had to pick the highlights of these very good songs, they'd be, of course, "Gypsy," along with the almost hopelessly dire (and wonderful!) "Candle Of Life." "Higher And Higher" is an awesome way to kick off any listening experience, but it doesn't sound like it was mixed properly, at least on the remastered CD. It sounds more like you're watching the blastoff from five miles away with binoculars instead of being scorched in the middle of the flames. Which, with regard to your own safebeing, is probably a better thing, but from a listening standpoint comes off as a little disappointing.

Paulrobinbonfig@aol.com
This is I think the strongest, most collaborative effort the group ever made. From the album cover showing the primitive and elegant sides of man drawing paradoxical images (has everyone noticed the two hands on the album cover are exactly where one places their hands when they open the cover) to the super joint efforts of ray and justin and john and mike --the album shows the group hitting on all cylinders. Both songs open with perfect songs--both sides close with appropriate anthems--and with the possible exception of sun is still shining there's not a clinker in the batch. I think this album forever colors the season I first heard it.; summer will always remind me this album.

Caught Live + 5 - Threshold 1977.

Plus they give you five previously unavailable 60's outtakes! A couple of 'em in my opinion might as well have been left in the can, but two or three of them are damn, damn good songs. The sing-songy "Gimme A Little Somethin'," for example. Or the somber, eerie "What Am I Doing Here?" for another example. These songs should have been on actual studio albums, so somebody would actually have gotten the chance to hear them!

So yeah dude, maybe not all the live song choices were the best possible (I'm particularly pointing my finger at "Dr. Livingstone, I Presume," you understand), but all in all, it's definitely one of those rare live albums that has something NEW to offer. Of course, you might HATE it, but really that's an issue for you to deal with on your own time.

Reader Comments

rlk0003@jove.acs.unt.edu (Robert Linus Koehl)
Well . . . the +5 part is good. Five songs recorded during the Childrens Childrens Children sessions that didn't make it to that album. HOWEVER, the concert . . . well it has its moments, but for the most part, well, they've done better. "Legend Of A Mind" is ok, so is "Never Comes The Day", and they re-wrote "Dr. Livingston" so that it rocked on this record. (Hard to believe, I know, but its true) And "Gypsy" is alright, but the rest of the concert (Especially "Nights" and "See Saw") make me ill. The album is worth buying just for the +5, but don't expect a great concert. The band refused to allow Polygram to put it on cd in the 80s, but it will be re-released (officially) this summer on cd. I'd wait and get it then. If you want a good concert, Red Rocks is it. Every song sounds good on that disc exept for "I'm Just A Singer", where the symphony and the band just dont gell, but everything else is great on that one.

A Question Of Balance - Threshold 1970.

Oh yeah, and Mike Pinder. Although it was an AOR standard and I have good friends who enjoy it, I consider "Melancholy Man" to be his absolute nadir; a long long long boring gloomy long pretentious long never-ending soul-crushingly somber diatribe that is, quite frankly, rather lengthy. Still, there's three beautiful songs - and "Dawning Is The Day" comes close.

Reader Comments

105002.1254@compuserve.com (Trevor A. Kotowich)
This album is worth getting just for "Question", although it has been heavily overplayed throughout the years. I always thought "It's Up To You" would have made a good single.

105156.640@compuserve.com
I like the fact that they lightened up the production a bit - it gives them a bit more variety in sound and makes it seem that they're not repeating themselves too much. I think that "The Balance" is Greame's best poetic effort, thanks to Ray's music. I have to agree about the whispering in "Don't You Feel Small" - it ruins the track. Lodge's songs are good, but his voice is so weak. I think "Dawning" is actually Justin's weakest contribution to the album when compared with the other two. "Melancholy Man" lives up to its title - ugh!

lewallen@Oceana.net
I agree with you on "Minstrel's Song"! (Are you figuring out that I'm a John fan?) And "Melancholy Man"??? Yech!

pinder@aol.com
How on earth can you like "Minstrel's Song"? Every time I hear that song I want to puke. On another note, I have to say that this is probably their worst album of the first 7. Yes, "Question" is one of the greatest songs ever written, and in my opinion the Moodies' best, but in my opinion it also had 4 of their worst 5 songs of the first 7 ("How is it we are here", "Don't You Feel Small", "Tortoise and the Hare", and "Minstrel's Song").

lehmann@ideasign.com (Doug Tedeschi)
I always thought that "Tortoise and the Hare" should have been a single chosen by the Moodies for airplay, I bet it would have been in the top 5 at least.

francis.gallo@snet.net
I personally think the album is an extremely great piece of work. No- it isn't exactly the same as the rest, but if it were, it would be repetitive. Listening to the story it tells give a dim light of hope in the world to anyone that is hating life. I especially love the way "The Answer" ties it all together. It is a CD that someone definitely should include in their library.

Nickrj@aol.com (Nick Johnson)
"Question" has got to be one of their fastest songs I've heard. In "Melancholy Man" Mike Pinder sounded like The Count from Sesame Street. No wonder he has done two children's albums, and is working on a third one.

m-parkinson@onu.edu
I listen to "Melancholy Man" when I'm amazingly depressed. I like this album overall. Listening to it is like getting stoned without really getting stoned.

fyodor@mixcom.com (Zimmer)
This album is right up there with any of their previous four albums if not the best. "Question" is of course a masterpiece but it doesn't stop there. "Minstrel's Song" is one of the best MOodies' songs ever as is "Melancholy man". Each of them provokes extreme feeling of opposite emotions. "Minstrel's" makes me extremely happy and "Melancholy" makes me depressed, both of them are excellent

Bigrynz@aol.com
What the hell is wrong with "Melancholy Man"???? It's one of the standouts on the album if you ask me. I also love that middle part in "Dawning is The Day".

hijinks@utarlg.uta.edu (Thomas Rickert)
I think you are taking the wrong approach, sprindlywinks. I mean, you are certainly correct to point out that The Balance is definitely out of balance. Its bad hokum. No question. But, we are talking about the Moodys, right. So, you can either take it seriously, probably as they intended I might add, and be put off by the aforementioned hokum factor -- or! Or, you can laugh at how over the top it is, be amazed that anyone could ever be this wack! I play this particular song for friends all the time, to show them how amazingly far a band could go into the deep end, and be completely unaware the whole time!

I mean, think about that: that is fucking amazing!! !!

So, if you laugh at it, if you crawl into the psychic place where suddenly you see this kind of move that just screams out BAD IDEA as being sideslittinglybladderbustingly funny, you will realize that you have seen god. And that he doesn't have a clue. Not one clue, not even one iota.

And that is my idea of entertainment! Probably not everybody's though. Perhaps that's for the best.

TecmoFiend@aol.com (Jason Penick)
Ever notice that "How is it (We Are Here)?" has the same Moog synthesizer line as most West Coast rap songs recorded after 1993? Hell, it would fit in well on Dr. Dre's The Chronic. Well maybe not quite, but it is the best song on this record besides "Question" of course. 7/10.

kenyon@mail.netnitco.net
I definitely agree about "Melancholy Man." I always kinda wondered how the others could have actually sung that all the way through without laughing their asses off at the poor dink who wrote it. But I do love "Question" (am I the only one in the world who actually likes the remake better?), "Dawning Is the Day," And the Tide Rushes In," and "It's Up to You." And I thought the whispering in "Don't You Feel Small" was very effective! Again, am I the only person in the world who likes that? Overall, this is a great album! Very listenable.

bjbosch@halstad.means.net (Brandon Bosch)
One of my favourite Moody Blues albums, probably surpasing to OUR CHILDREN"S..... I never realized there was so much hostility towards Pinder and Edge, whom I think are terrific. While it may be a different and more leaner sound, it works, or at least for me, so I give it a 9.

stoo@imsa.edu (John McFerrin)
Good news: great songs. Bad news: just a _good_ record.

I know it's not just cos of the stylistic changes that some of the songwriting is in the crapper. I mean, Question is, in my opinion, the band's best song ever. The Tide Rushes in is wonderful, Up To You, Minstrel's Song, and Dawning Is The Day are all great. But ... I dunno, How Is It We Are Here and Tortoise And The Hare really don't do a thing for me. And while I don't really mind Melancholy Man, I don't really like it either, and The Balance, while pretty, is, as has been said, "a clunker and a half." Oh... I HATE Don't You Feel Small. The only redeeming thing of the song is the middle flute part; nice and aggressive, more tullish than moody, but still good. The track itself, tho, is made into dog crap by the whispering and the stupid ecological tones (I really don't like songs that try to guilt me into becoming an environmentalist). I give the album a 7; a high 7, but a 7 nonetheless.

starostin@geocities.com (George Starostin)
Here, for once, I gotta disagree and give the record a higher rating. Sure, it also tries to emulate Children as close as possible, but it succeeds. I reviewed it on my site and gave it a 9. A NINE! 'Question' rocks, the Pinder songs are real good (yup, I even like 'Melancholy Man', just because the song's mood matches the title and the lyrics very well), 'Tortoise And The Hare' is kinda scary, and, anyway, the only thing that makes me feel uneasy is the whispers on 'Don't You Feel Small'. Otherwise, a fine successor to Children.

bgreenstein@nctimes.net (Ben Greenstein)
I hate this album! This is the worst of their early stuff, by far! "Question" is a fantastic tune, "And The Tide Rushes In" is a beautifully sappy Ray Thomas tune, and "It's Up To You" is really catchy, but the rest is underwritten and sloppy. Some okay songs - but it really doesn't work as a whole, the way that their best stuff seems to. And "Melancholy Man" is awful - like a Pinder tune should be. A six.

squamous@interaccess.com (Terie R. Hopper)
All I have to say about this album is that "It's Up To You" makes me explode in a spontaneous muscial orgasm. And the album as a whole kicks ass.

richbunnell@home.com
Good, though initially a letdown from their prior days of bombastic glory. I can guarantee to any person who purchases the album that the only thing that will jump out at you at first will be "Question," and only the fast parts. Repeated listenings really jumpstart this baby, thankfully, revealing the Moodies to be just as adept at relatively minimalistic material as they were at wall-of-sound pomp. "Dawning Is The Day" is a brilliant, perfectly- constructed song, and I guess "Minstrel's Song" is a bit corny, but that does not make it any less awesome than it is (which is to say, a lot).

I even like the controversial tracks - "Don't You Feel Small" is creepy, though if you listen to it on headphones the whispering is certainly distracting, and "Melancholy Man" - well, I love it. Then again, I'm probably the only Moodies fan who doesn't wish that they'd hung Mike Pinder by his testicles. HEY MARK, HIS NAME LOOKS LIKE YOUR NAME!! Huhuhuhuh. Anyway, I give the album an eight. It doesn't reek "classic" like On The Threshold or Seventh Sojourn, but it doesn't reek "generic" like Every Good Boy, either.

Every Good Boy Deserves Favour - Threshold 1971.

This leaves five songs. But are they good? Well, Graeme Edge's rocker "After You Came" is better than the crap he put on the last record, but doesn't hold a candle to his Children's Children's Children winners, and Hayward's "You Can Never Go Home" begins beautifully but quickly degenerates into a boring rock song. So now we're down to three. But are they good? Yeah, they're really good. Lodge is the saviour of this record, churning out the lovely-as-a-butterfly "Emily's Song" and the alternately pretty and "rockin'" "One More Time To Live." Definitely the only reasons to buy this record. Except, of course, the hit. Hayward's "The Story In Your Eyes" is the only song on here you're ever likely to hear on the radio, but don't let it fool you. Just because it's one of the most instantly memorable rock songs they ever did doesn't mean that this is one of the most instantly memorable albums they ever made. It's something of a letdown after their past five chock-full-o-goodies LPs. Still not deserving of the one out of five stars that the Rolling Stone Record Guide gives it, though.

Reader Comments

scotiatb@e-z.net (Lisa McKenzie)
I think I like this more than you, but you're right about "One More Time to Live" being too cool for words.

DXEF93B@prodigy.com (Mrs. Eileen G. Cary)
I don't think "Procession" is at all stupid. I like the cleverness of the stages of life. Still very fitting today.

laura@gseal.mdn.com (Galen Clavio)
You know what's really annoying about this album? Listen to "The Story In Your Eyes," and you hear some good-ol' rock licks by Justin on his electric. But everywhere else (ESPECIALLY on "Nice To Be Here" and "You Can Never Go Home," a personal fave nonetheless) there's this goofy, weenie-sounding electric guitar that occasionally comes wafing through and ruins everything! On "Never Go Home," you can here it during the chorus! It sounds like Ray Thomas's voice embodied in a 6-string!

105002.1254@compuserve.com (Trevor A. Kotowich)
I agree 100% that Lodge is Saviour of album, and I never thought his vocals were "boring" but rather were a great harmony to Hayward (listen to Blue Jays - "Saved by the Music").

105156.640@compuserve.com
I really disagree on this one. "Procession" is mind-boggling. I mean, they don't exactly cover the whole range of human musical history, but so what? The shifts in color and tone are just great. Another headphone must. "Story", "One More", "Guessing", and "You Can" are among the band's powerful songs. I would vote "After You Came" as Edge's BEST song - the group trading voices on the chorus is wonderful, and the metaphors he uses to describe his divorce make for excellent lyrics. My problem with "My Song" is mainly that it's a retread of "Have You Heard/Voyage" - not very innovative. "Nice to Be Here" is a bit cutesy, but at least it's bouncy. And I HATE "Emiily's Song" - I would vote it one of the five worst on the first 7 albums. Just about everything about it is off - the cloying celeste, the clumsy cellos, Lodge's strained vocals. The live-with-orchestra version on the boxed set is a BIG improvement - although Lodge's voice still leaves something to be desired.

lewallen@Oceana.net
John did save it! Except for "The Story in Your Eyes" and "You Can Never Go Home", of course! "Emily's Song" is probably one of my absolute favorite songs in the world, it's so beautiful. Plus, Justin's harmony is incredible! He doesn't have to sing lead all the time to make an impression. Yes, the Red Rock version was a little rough, but I'm sure we'd all agree that John wasn't feeling well then. I don't normally find his vocals rough or weak at all! There's something about his voice that I find very striking. What a falsetto!!

Lansman@sweden-c.it.earthlink.net (Tom)
I may be in the minority here, but this stands at worst as my second most favorite Moody's album, if not my favorite album, just on the strength of side 1. When seen as one piece, "Procession" and "The Story in Your Eyes" make for compelling listening, if only as a long lead in ti the album (It reminds me of the "Funeral for a Friend/Love Lies Bleeding" opening to Elton John's Goodbye Yellow Brick Road). "Guessing Game" ... well if you've never been there, you're either a better man than me or you just want to deny that some days are just better than others. "After You Came" proves to the world that the Moody's indeed could really rock. Yes, the second side tends to drag when heard without interuption, but isn't that why they invented random play for their CD?

wcmgelp@utah.uswest.net (Bill)
Of the "core seven," this is my favorite. I'm 45 and started listening to the MBs in 1967 ... 30 years. I think each album offers some thoughtful insights, and I disagree with your assessment of the 'boring songs.' When you get to mid-life, somehow singing your song all day long seems like rather a great idea. What I really like about the MB's is their now famous "Concept" approach, and in that sense, this album holds together the best for me. The frustrations and occasional joys of living. Oh well.

Nickrj@aol.com (Nick Johnson)
This album is much better than what you say. The first song is weird but it sounds awesome right before "The Story In Your Eyes". "My Song" is about Mike's life I bet.

tabasco@worldnet.att.net
Well I finally got the cd. It is really magical. "Procession" is one of the weirdest songs the Moodies ever did. It's starts out like an Arriving UFO. Then you'll take a trip to Africa and it will sound like you are in a jungle with the birds chirping. First it starts raining. Then it will sound like you are in Saudi Arabia with the flute and the zatar. Then it will sound like you are in church with the harpsicord and the hammond organ and the mellotron or moog. Cool song, it's like a journey through places. Next is "The Story In Your Eyes", the rocker, I heard it before and I liked it, it still has some of that mellotron into it, but I like the guitar intro, and the piano part, Mike can really play. "Emily's Song" is beautiful. The nicest song I ever heard. Lodge I think dedicated it to his daughter. Very nice song. One of my favorites. I also like "Nice To Be Here" with the mellotron in the backround it sounds like a train horn. I also like the sweet sound of "My Song", No not my own Mike's Song not Me my song, ah forget it. I give this album a 10 I also like the cover.

Bigrynz@aol.com
I would agree that "My Song" is a rehash of "Have You Heard" and "The Voyage", but it's one of, if not my very favorite, Moodies' songs. Overall, I think the album is great, but not as good as the previous ones.

hijinks@utarlg.uta.edu (Thomas Rickert)
Ya know, I listened to this album considerably when in my youth and under my 'gotta discover the Moodys' buzz; the buzz that makes you like everything by a band and makes you collect all their stuff, even the stuff that sucks, but you don't know it yet, cause you think everything is great. But then that new band discovery high goes away, and you come down, and when you come down, you realize that this album just plain sucks. It is awful. Sure, there are a few good tunes. A band as great as the Moodys can't help but turn out some good tunes. It's in their blood. But still, there is no excuse for this product. And there are so many better Moody Blues records out there! So, why bother?! And you know what else? I bet the band knew. But they released it anyway, had the hit, and people bought it in droves. How can a band respect its audience when they even buy crap? Makes me wonder.

Every Good Boy Deserves Fecal!! And that's the fact of the matter!

kenyon@mail.netnitco.net
I personally didn't really like "Emily's Song." Too predictable and generic. I sang along with the instrumental parts the very first time I heard it, just because it was so obvious what was going to happen next. "You Can Never Go Home" is a personal favorite, right behind "Visions of Paradise." The rest of the album, in my opinion, is just neutral. I put it on and forget it's playing. It's just background music. Good background music, yes, but background music all the same.

stoo@imsa.edu (John McFerrin)
I will admit that Nice To Be Here and My Song just drag and drag, and let down the record at the end. However ... now, I may be biased because before I bought To Our Children's Children's Children, this was my favorite album, but I think this album is wonderful otherwise. I really enjoy Procession, my only complaint being that they couldn't make it longer. Story In Your Eyes, of course, is awesome. Guessing Game is good, despite sounding more like Billy Joel than the Moodies imo. Emily's Song is gorgeous, and I simply adore After You Came. And of course, the best song on the album, One More Time To Live. I also love You Can Never Go Home; it speaks to me personally more than any other song on the album.

Also, I may be the only one who thinks this, but I feel that this album is the pinnacle of the Moody's ability to harmonize and to use their voices to their maximum effect. The chants in Procession, the background harmonies in Story, the beautiful Justin harmony in Emily's Song, the vocal trade-offs in After You Came, the switch between John and Mike halfway through the chorus of One More Time To Live... simply awesome.

Yes, Nice to Be Here and My Song just kinda drag, but I still think the album deserves an 8

moonkitty@eudoramail.com (Sally Ann Wood)
I just gotta say in addition to the Moodies' musical and poetic awesomeness is Phil Travers cover art!! This cover's colors really match the wonderful dreamy spaciness of it all.

richbunnell@home.com
For a Moodies album, this is pretty dull. I mean, the songs sound nice and all, but whereas on basically every other Moodies album I'm left with the memory of a vast array of musical experiences, after listening to this one I think "......Man, 'The Story In Your Eyes' is an awesome song!" "Our Guessing Game" and "After You Came" are pretty groovy tunes, and none of it's really bad (barring "My Song" - bash Pinder for THIS crap, not "Melancholy Man"), but...well... all that the Moodies have really set forth here is a set of completely generic songs. I guess that's okay if you like that sort of thing, but I like my Moodies to be interesting. This stuff isn't. I agree with the six.

Paulrobinbonfig@aol.com
Sheesh--you guys and gals are tough! I always considered this a great album--number 2 on my list of moodies albums after toccc. I think one more time is the most mature and, and melodic song they've written--something about the piano and moog swelling behind the leave the wise to write lyrics embodies just what it is about these guys that could make us drift into deep places. I think every song is strong--but I never was wild about after you came. (and I'm surprised so many in the e-mails above loved it). I thought my song was a great album finale--the words alone don't tell the tale. The background crescendo makes the statement. and Justin's guitar breaking out in the "i feel fine" feedback--to give way to his wonderful vocal and an intelligent song--told me on first listening that was music for the heart and the mind and the spirit. To me, the moodies slipped noticeably--and forever -- after this album.

Seventh Sojourn - Threshold 1972.

Elsewise, Hayward spits up two impeccable odes to joy, Thomas's "For My Lady" is charming and pretty without becoming silly (although, with that dopey "la-la-la" chorus, it certainly tries), their co-written (I think. I don't wanna get the album out to check.) "You And Me" is a happier rewrite of "The Story In Your Eyes," and Lodge's FM classics "Isn't Life Strange" and "I'm Just A Singer (In A Rock And Roll Band)" do exactly what they were designed to do; the former lulls you into a drunken stupor, and the latter gets your foot a-tappin' and your fist a-thumpin' (albeit in a sissyish short-haired-guy-with-a-mustache kinda way).

Good listenin'! Mature! Looking towards the future, were they? Their wonder years ahead, huh?

No. They broke up and put out mediocre solo albums for six years.

Reader Comments

laura@gseal.mdn.com (Galen Clavio)
Overall a good record, and the ONLY place to listen to "Isn't Life Strange". I can't believe what they did to that song (and also to "Question") on the Legend Of A Band CD. Yuck! Sounded like something Chicago would do!

105002.1254@compuserve.com (Trevor A. Kotowich)
Although I was generally disapointed with ALL solo projects, I still think there are a couple of good songs from Blue Jays, especially "Blue Guitar."

105156.640@compuserve.com
I don't care for this one nearly as much as EGBDF. The overall pacing of 7th is way too slow compared with the previous albums. You can hear how depressed they are! Good thing they took a 6 year break. That said, there are still terrific numbers like "Strange", "I'm Just a Singer", "You and Me'".

MikeRobWil@aol.com
Absolutely their worst album of the Moodies' first period. From the first day I heard "Isn't Life Strange" I've hated it with a passion. Conversely, as bad as that Lodge song is, the best one on 7th is "I'm Just a Singer..." The only problem with the latter is that the studio mix has always sounded a bit muddled to me, but it still rocks and was the only thing living off this set.

lewallen@Oceana.net
All around, I love this album!! Though, nothing compares to "Isn't Life Strange" live. What an emotional experience!! Wow! Though, I liked all the solo work to come. Blue Jays was awesome, and the others were pretty great also!

bconyers@mindspring.com
Seventh Sojourn was the "Fairwell To The Moodies" album. They played their hearts out in "I'm Just A Singer In A Rock & Roll Band" and that was it. They just didn't have it thereafter. Mike Pinder was the heart and soul of the group. He put the "mood" in the Moodies, then he got religion or something and left.

Pinder must have had a small role in Octave since he had a song and picture on the cover, but the album was produced horribly. Listen to "Steppin' In A Slide Zone" again. It starts out great, then when the vocals begin, the production is GONE! It was like my sound system had no bass or treble. I went to a concert in Norfolk, Va. after the release of Octave. I was handed a program upon entering the Scope, and to my dismay, the photo of the group was missing Michael. Instead there was a long dark haired stranger invading the other four's presence. From that point I lost interest.

Call them what you may, but further productions are not Moody Blues. Mike took the M with him. Some possibilities are: Goody Twoshues, Booty Shues, Poppy Mues, Pukey Blahs.

walshl@eccic.com
"You and Me" is the best song on this album; I heard it one morning and it hooked me on the Moodies for good. "Isn't Life Strange" is one of the worst, most overplayed Moody Blues songs on the radio. John's songs are usually more bad than good. But at least he could hit those great high notes when he was young.

akeithdavis@mailcity.com (Keith Davis)
Okay, This Is The Moody Blues still remains my all-time favorite "Moody Blues" cd compilation. I still do not have the Time Traveller box set, I will probably wait until late 1998 to get that particular item. I do however, have This Is The Moody Blues. This Is is an outstanding cd compilation. It has been digitally remastered and contains many of "The Moody Blues" best songs. CD1 takes us on a journey into the distant past, It begins with "Question" and concludes with "Have You Heard? Part Two." Especially noteworthy on this first cd is the inclusion of "The Actor," "Eyes Of A Child" and Ray Thomas' masterpiece "Legend Of A Mind" about the psychedelic guru-Timothy Leary. I met the late Dr. Leary back in 1989, when I lived in the San Francisco Bay area. I remember telling him, something on the order of 'Ever since you were immortalized by the song "Legend Of A Mind" by The Moody Blues, it has been my utmost desire to meet one of the greatest thinkers of the twentieth century.' Incidentally, Yoko Ono was standing nearby him at the time. But getting back to the subject at hand, "Have You Heard? Part One," "The Voyage" and "Have You Heard? Part Two" blend together seamlessly to close the first cd.

The second cd begins with the upbeat rocker "Ride My Seesaw" and contains many of The Moody Blues best songs! "Tuesday Afternoon," "And The Tide Rushes In," "New Horizons," "I'm Just A Singer (In A Rock and Roll Band)," "For My Lady," "The Story In Your Eyes" and concludes with The Moody Blues signature piece "Nights In White Satin" with "Late Lament." Overall, an extremely impressive compilation! One of my all-time favorite cds! I have to give this beautiful compilation a 10/10! Minuses, I wish that this particular cd had contained "Candle Of Life" and "Gypsy" from To Our Children's Children's Children.

Incidentally, I would hope that the Moody Blues release a better live version of "Legend Of A Mind" then the one on Caught Live Plus 5!

Nickrj@aol.com (Nick Johnson)
I see why you like this album. All 8 songs are good, and the two Lodge songs are classics. "You And Me" is a great song. "The Land Of Make Believe" makes me think Justin is Mister Rogers. This album has to be their greatest

LostChord8@aol.com
It has now been 25 years since I first heard Seventh Sojourn. This was given to me in cassette format by my older brother for Christmas. I didn't know hardly anything about the Moodies and didn't listen to the cassette for a few days. Once I did, the songs struck an emotional chord in me that still reverberates this day.

m-parkinson@onu.edu (Matthew P. Parkinson)
I think Seventh Sojourn is one of the better Moodies albums. "New Horizons" and "For My Lady" make the album worth it. Yes, I'll admit it, I think Ray Thomas's voice is a bit weak on the album. However, on Live at Red Rocks, he has a deeper, more powerful voice. That version of "For My Lady" sounds much better. I wish that Polydor (or whoever their recording label is) would have put "New Horizons" on Legend of a Band instead of "Isn't Life Strange." I really don't like that one.

MC101555@aol.com
"YOU AND ME" IS MY ALL TIME FAVORITE SONG OFF THIS ALBUM, SECOND IS "CANDLE OF LIFE" BY JOHN LODGE OFF THEIR CHILDRENS,CHILDRENS ALBUM AND FINALLY IS JUSTIN'S "FOREVER AUTUM" HARD TO CHOOSE BETWEEN THEM ALL.:)

hijinks@utarlg.uta.edu (Thomas Rickert)
The swan song. After this, unlistenable pablum. But this one is pretty good. Even Pinder gets it up one more time! And we don't even mind much, which is always a good thing with Mikey, cause usually we wish he would shut up and just play the mellotron. But then, when Moraz joins the band, then we get nostalgic for Pinder, so that just goes to show you. Something, I dunno what, but something.

Tecmofiend@aol.com (Jason Penick)
I can't agree with your opinion of the song "For My Lady"... for me it just destroys this album (and also the This is the Moody Blues compilation, which is otherwise stellar) because it is twee and feeble and sounds like it belongs on a Popeye tribute album! In a semi-related note, there is an awesome song on TITMB called "Simple Game" that is not on any of the first 7 records. Including it in place of "For My Lady" on 7th Sojurn (or "Isn't Life Strange" on the other record) would have been a definite improvement.

tabasco@worldnet.att.net
Well i got another Moody Blues album. You guys haven't heard from me for a while well that's because i was too lazy too right my review. Another kick ass album by the Moodies. New Horizons is a very intresting track but my favorite songs are For My Lady, Isn't Life Strange, I'm Just a Singer (in a rock and roll band), and The Land Of Make Believe. For my Lady, I heard it for the first time in their concert and I was amazed on how beautiful the track was. Extremely!!!!!!!!!! Isn't Life Strange an earlier version but still a lot of effort put into it. I'm just A Singer is a great rock track at the end is like a concert. i like the beginning of Land Of Make Believe, cool keyboards. FOREVER AUTUMN RULES!!!!!!!!!!!!! I GIVE THIS ALBUM A 10!!!

PIASAM@intrepid.net (Joe Haines)
I own a lot of Moody Blues albums, CDs, tapes, etc. Blue Jays has to be at the top of my list of favorites. Every song was absolutely magical as is any songs done by Justin, John, Ray or Graeme. Blue Jays were inspirational and continue to inspire me in my poetry and writing.

kenyon@mail.netnitco.net
"New Horizons," "For My Lady," and "The Land of Make-Believe" are absolutely beautiful. These are songs to listen to when you're in a contemplative mood. "I'm Just a Singer (In a Rock and Roll Band)" and "Isn't Life Strange" annoy the shit out of me. The latter would be good if they'd done some revising (like not repeating the last syllable of each line 98 times--my dad's parody of that was enough to make you wet your pants, it was so funny).

stoo@imsa.edu (John McFerrin)
ANY other group, and this would get a 10. To all of you who pick on Isn't Life Strange and/or I'm Just A Singer, please. These songs friggin rule. Pinder gives us two absolutely terrifc songs, For My Lady is pretty, no matter what anyone says, Hayward's are beautiful (the final 16 measures of New Horizons are one of the three most powerful/beautiful musical stretches I have ever heard, the other being Love Reign O'er Me and the end of the I get up/I get down part of Close to the Edge), and You and Me is terrific.

A solid, solid 9.

starostin@geocities.com (George Starostin)
A sad and tired album, that's what this one is all about. Mature? Sure. But if you axe me, well, it's no surprise they quit right after it. The energy is clearly spent - the record is yet another cash-in on their past successes like Days or Children, and few of the tracks add anything new or important to the legacy. 'New Horizons' is beautiful, and 'Isn't Life Strange' is a good anthem, although very pessimistic and tired just as well. 'I'm Just A Singer' is weird - sounds more like ABBA than the Moody Blues (although for me, that's almost a compliment). Sad, sad, and tired. Even the album cover looks gloomy. An impressive, but still mediocre swan song. A 7/10.

richbunnell@home.com
I agree in a very large way. Most of it's ballads, yeah, but that's the type of music that the Moodies were always accustomed to the most, so it definitely works. The production doesn't hurt either-- compare it to the albums that came directly before it, it sounds so FULL! It really helps tunes like "Lost In A Lost World" and "New Horizons." As for the classics, I don't find "Isn't Life Strange" or "I'm Just A Singer" annoying at all. The latter, in particular, might be the catchiest tune the band ever wrote (that "Scorching this earth!" part is pure gold!) and a very huge example of Lodge's emerging talents as a great songwriter. Strong compositions all around on this one, and a very rewarding listen, so I'll give a 9, like you did!

This Is The Moody Blues - Threshold 1974.

Reader Comments

TecmoFiend@aol.com (Jason Penick)
I've been lucky enough to inherit five of the first seven MB albums on vinyl from my girlfiend's dad, as well as this compilation on cd. Also, I ordered a cd version of Caught Live +5 off the 'net which I just received in the mail. I'm also waiting on a bootleg of '68 BBC stuff called Legend of a Mind, which I may or may not be receiving (the company I ordered from "isn't sure" whether or not they can obtain a copy anymore). My point is, I'm really getting into the band's early stuff, peticularly the first four albums. I've changed my opinion on Chord, too. I think it is better than Threshold, track for track. As for TITMB, I would advise anyone who doesn't own any MB recordings to start here-- this comp covers many of the band's highlights, and contains only three truly weak tracks IMO, "For My Lady", "Meloncholy Man" and "Isn't Life Strange". Not bad for a two cd set. Still, the compilation bothers me a little because they left off some of the greatest early Moodies compositions... the first four tracks on side two of Children's and "Dawn is a Feeling" are the most painful exclusions. I created a mix tape I call TITMB2 to include all the great songs they left off the first TITMB like the ones I just mentioned, plus "Are You Sitting Comfortably", "Emily's Song", "Peak Hour", "You Can Never Go Home" to name a few others. For the Moody Blues neophyte looking for a starting point for the band's vast catalog, I would advise starting with this set, then purchasing the remastered cd versions of Days of Future Passed and Children's Children. 9/10.

defab4@earthlink.net (Mike DeFabio)
I CAN'T buy it. To the best of my knowledge, it's gone out of print! That, and I'm too busy building up my Fall collection these days to search the used bins for something by somebody else. Later I'll get out of my Fall period and into my Moody Blues period. So I got The Moody Blues Anthology from my good friend Bob the Librarian. I would guess it's probably your best bet for a compilation if you can't find TITMB used, as it devotes an entire disc to the period that this set covers. The other collections out there are only one disc, so they have all this later stuff mixed in with the other stuff, so you get less early stuff. So while the first disc is not quite as THROROUGH as these two, it's still good. You got Tuesday Afternoon, Nights In White Satin, Ride My See Saw, Story In Your Eyes, I'm Just A Singer, all kindsa good stuff. And there's some stuff I don't really like, but there's not much of those. And I haven't listened to the second disc yet, but I don't care. The first disc gets an 8 from me.

richbunnell@home.com
Fantastic compilation. The only thing missing is "Gypsy," but considering the wealth of wonderful material otherwise, that's an extremely minor quibble. The songs are all crisply remastered (on the CD version, at least); "Legend Of A Mind" in particular sounds much better than its original In Search version. Screw the "one ten" rule; it's definitely worth it to buy most of the albums in the "core seven," but by all standards this is quite easily a ten. Too bad it's out of print.

Octave - London 1978.

On a different subject, the title of this album is a clever way of suggesting that the band never really broke up (from Seventh Sojourn to Octave). Get it? Most people didn't. I mean - it didn't sell real well.

Reader Comments

105156.640@compuserve.com
A lot of the problem with Octave is that many of the songs sound like out-takes from solo albums. Thomas's could have been on From Mighty Oaks, "Survival" on Natural Avenue. "One Step.." has even wonkier lyrics than stuff from The Promise and I HATE that wimpy electric piano. But the other songs are pretty cool. But it's definitely their least focused record.

MikeRobWil@aol.com
I waited a long, long time for the Moodies to make their comeback but this wasn't it! This album was a major disappointment when it came out and remains so today. I tried to force myself to like it for several years and finally just had to admit that is sucked big time. Fortunately, better things were ahead.

lewallen@Oceana.net
5 gems is right! I agree with you completely! "Driftwood" is definitely the best! Though, for some odd reason I absolutely love "Top Rank Suite". Not many people seem to, maybe I'm just weird.

eggman@delrio.com
This is an absolutely beautiful album. I must have played it a thousand times when it came out! "Driftwood" and "The Day We Meet Again" are as good as anything the Moodies ever did.

RFitzpa478@aol.com
I love your reviews-but you've got too much of a hardon for Lodge- the band is nothing without Pinder- there's not one song after octave that I look forward to in concert-My hope is that in 1999 Pinder will join for a summer of 69 tour-I hope they talked about that when they met in Reno a year or so back.

Nickrj@aol.com (Nick Johnson)
I didn't like this album too much. Other than "Steppin in a slide zone" and "Driftwood". The rest of the album didn't make the cut for me. I was wondering if Graeme Edge really sang "I'll Be Level With You". Out of ten stars I'd give it a 5

Skyvoyze@aol.com (David)
I liked parts of your review. I know Ray's songs may not be as strong as his efforts in the late 60's-early 70's but..."Under Moonshine", for some odd reason, brings back memories of the musical style I remember so well between the ages of ~4-6. I was born in '75 and--although young--was surrounded by enough music, that when I listened to Octave in the early 90's, along with a lot of other crap that was out by bands today, I couldn't believe how much worse some popular music had become, compared to Octave. "Survival" is one of the top 10 pop-lullabies of all time (try to find the other 9). Who says John can't sing well!? He's a stud on this ballad! "Slide Zone" could use a drum boost, as could "The Day We Meet Again". I like Mike's song, and its change in style. He did a remake of that on the reissued release of his solo album The Promise as a bonus track. "Had to fall in love" is a great song to play in a dimly-lit room in front of a lit-up Christmas tree (don't ask); heck--you gave this album a good rating, and I agree. However, the music is so nostalgic, that I can't ignore it.

Bigrynz@aol.com
I'm trying my best to comprehend how you can rate Octave so highly. I personally think Octave is pretty awful.

hijinks@utarlg.uta.edu (Thomas Rickert)
Ugh. And I'll speak no more of the Moodys. I'm glad they are rich and well off, they are a favorite band of mine, but I just never want to listen to their phase II music. The magic is gone, at least for me. It's just unlistenable. And I did try. I wanted to like this stuff, I really did. But no. I just doesn't work.

stoo@imsa.edu (John McFerrin)
Perfect review. I kinda, sorta enjoy Steppin' In A Slide Zone and I'll Be Level With You, but not a whole lot. And Thomas' two are horrid; I'm Your Man sounds too much like theme music to a 70's soap opera. And Top Rank Suite is just...ok. But the ballads man. THE ballads. Anyone who doesn't enjoy these five beautys (well, I guess I can understand not liking Pinder's, tho I love it) simply hasn't really listened to them, hasn't given them a chance. Anyways, I agree with the 7.

Long Distance Voyager - Threshold 1981.

"So," you ask derisively, "why an 8?" Cause the songs are excellent, that's why. It may take several listens to get past the sleazy early-80's Mr. Mister production, but if and when you finally do, you'll hear four of the most wonderful pop songs this side of David Hasselhoff (and those weren't even the hits!). Three of them lament a lost love; Lodge's "Talking Out Of Turn" and Hayward's "Meanwhile" are self-blaming, yet hopeful somehow, while Lodge's "Nervous" is darn near heart-wrenching ("Why am I so nervous? / Please explain to me / why I can't sleep / I close my eyes to shelter / In the dark, I try to hide .... / In my mind confusion / I see you everywhere / But we don't speak / I try so hard to touch you / but you're always out of reach") until it kinda cheeses out during the chorus so you can wipe the tears from your cheeks before somebody calls you a fag. Nothing against fags, of course. It's rednecks I don't like. But that's another story entirely. I'm speaking now of the Moody Blues. The fourth great song on this record is Hayward's golden love song "In My World" - and I do mean "golden." As in really butt good.

The other songs are good, too, in their own way, and both the decent rocker "The Voice" and the disco-influenced "Gemini Dream" were hits. Go ahead and buy it. You can probably get it for a dollar somewhere. I know I did.

Reader Comments

fritzi@escape.ca (Bill Hanson)
I thought that "In My World" was one of the incredible tracks on this album. Wanted to play it on my wedding day as the song for the bride and groom to dance to. It is simply a beautiful love song.

105156.640@compuserve.com
By far the peak of their post-7th Sojourn releases. I strongly disagree about Patrick's keyboards - they helped redefine the sound of the band. The intro to "The Voice", for example: Incredible, especially through earphones! "In My World" is the song I lost my virginity to - enough said. "Nervous" is another Natural Avenue-type orchestrated Lodge ballad, but well done. "Talking" is better - the keyboard/orchestra arrangement is really unique. Everyone provides good material. "Gemini Dream" is the low point, especially the "n-n-n-night" part. Sounds like ELO. At least it sounds better live.

monkey37@localnet.com (Scott Moore)
Let's see, the first half of the album was a Moraz ego trip. The songs revolved completely around his keyboards and no member of the band other than Moraz seemed willing to step up and make music, which would have been okay, if I wanted to hear a Moraz album, but I wanted THE MOODY BLUES, and coming off the only Moody Blues album I own, Days Of Future Passed, this album plainly sucked. Moraz is talented, don't get me wrong, but I want to listen to the band. If I wanted to listen to him, I would have bought one of his albums. On the same token, his style could have been applied nicely in Yes, where all the members are always competing to outdo each other. His music would have fit perfectly. If he had replaced Downes in the new Yes in 1981 then he would have saved the band, I'm sure. Instead, he went and ruined a good one. The second half, well.....It was good. It tried to pull an all inclusive mood out of the album at the end. "Meanwhile" and all the other songs on the second side were great or at least good. The band actually stepped up, and Moraz seemed to step back a bit. Well written songs, and it is at least half of a great album, and half of a pretty good Moraz album which makes it about a 7 overall, but I doubt I will listen to it too often, it's just such a step back from the last Moody Blues album I was familiar with.

MikeRobWil@aol.com
This was the real beginning of The Moody Blues, Part Two. I don't give much credit to Patrick Moraz one way or the other as a Moody from this album on. He has been just a fill-in directed by the songwriters to add to their vision. The highlight of this recording is "The Voice" and it is pure Hayward. This one song kept me buying each new album from this point forward upon release with no idea of what to expect. The result is I've bought a lot of crap, with enough gems sprinkled in to keep me hooked.

lewallen@Oceana.net
This is in my top few albums! First off, I'll just say that I hate Moraz and leave it at that! "Nervous" is up there with "Emily's Song" in my mind, so beautiful!! My mom was fortunate enough to see "Talking" live and said it was great. I hear it's on the casino set list this year! "Gemini Dream" was my favorite song back when I was 12, my first favorite, so it sort of means a lot to me. I still love it!

pinder@aol.com
How could you not say anything about "22,000 days" or the last three songs by Thomas? "22,000 Days" may be the best song Edge ever wrote. Meanwhile, those last three songs are easily the part of the album which I like the most. They were a return from the constant lovidoviness of the first half of the album and back to the lighthearted silliness which made the Moodies so great. And I would be hard pressed to think of a better ending for an album than Thomas singing at the top of his lungs, "He's afraid that he will die."

akdxmy@hotmail.com (Andrew Davis)
I also enjoy the music of the "Moody Blues", as well as "Rush," "Pink Floyd" and "Yes." I feel that "The Moody Blues" were another one of those great art-rock bands. Of the cds which I currently possess, my favorite "Moody Blues" cds are To Our Children's Children's Children, In Search Of The Lost Chord, On The Threshold Of A Dream, Long Distance Voyager, and This Is The Moody Blues. This Is is a magnificent cd, although it does not contain the better songs on To Our Children's Children's Children. Still, I believe it deserves a 10/10, along with TOCCC, and OTTOAD. ISOTLC, DOFP, and LDV deserved 9/10. I do not particularly care for EGBDF or Octave. It may be some time before I decide if I need the remastered versions of A Question Of Balance and Seventh Sojourn, although these cds have a much greater priority in replacing than EGBDF or Octave.

Nickrj@aol.com (Nick Johnson)
This album is great. It has two top 20 singles ("The Voice", "Gemini Dream"), and John Lodge has two great ballads. ("Talking Out Of Turn", "Nervous"). As for Patrick Moraz, it doesn't matter if you like him or not. He gave the Moodies an eighties sound with his keyboard. Can you imagine if Mike Pinder had stayed with the band with his Mellotron?

i21apawa@unibw-muenchen.de
if you say this album is not so good ....i am disagree...... just only 4 songs in this album make it worth buying....you already know which songs i talked about......."nervous" is one of the most beatiful songs i've ever heard in my life...ok 4 songs and forget all about the rest....

katew@bicnet.net
To me, the highlight of this album (other than "The Voice") is the three Ray Thomas tracks at the end, concluding with "Veteran Cosmic Rocker". They are absolutely vintage Ray Thomas. Hell, they're vintage Moody Blues, creative and unique, absolutely impossible to duplicate. These three tracks make be ache for their golden age in the late '60's and early '70's.

rob@954access.net (Robert Kilbride)
I have over 1500 cds and this is one of the few that I constantly listen to. I love the songs and I love the arrangements and production. The keyboards sound great. I like your reviews it seems you have pretty good taste in music. Moraz is also on my favorite Yes album, Relayer a simply awesome album.

stoo@imsa.edu (John McFerrin)
I like this album. And I didn't expect to when I bought it. But man... Talking Out Of Turn, In My World, Meanwhile, and Nervous are just friggin beautiful, man. Justin and John had it goin' on. It did take me a while to get past Moraz' production, but once I did, ah man. OH. And I actually really enjoy Thomas' songs, especially Veteran Cosmic Rocker (sorry Mark). And 22,000 days is good too. I only sorta like The Voice here, tho; I like the Red Rocks version _much_ better. And Gemini Dream annoys the crap out of me. But other than that, a splendid album. 8.

richbunnell@home.com
The four ballads are the best songs on here?? Aw, Mark, you don't -have- to disguise your true feelings just because you're in the presence of fans. Admit it: You think "Gemini Dream" is great. ADMIT IT!!!! It's like what "Here Comes The Weekend" would sound like were it good. I don't even have to defend "The Voice," even though it set off the irritating "Hayward writes every first single" trend that still haunts the band to this day (not that it's really a bad thing). The rest is the rest, a synthier, gentler Moodies for the post-Me decade, creating beautiful music which doesn't reach any particular emotional highs but doesn't blatantly disgust either. "22,000 Days" is probably Edge's best song, "song" being something which is hindered neither by poetry or stupid musical experiments ala "Procession." That pretty much only leaves this song and "After You Came," and I like this song better, so it's his best song. I agree with the eight for the album - it's Eighties Moodies, but it's also the pinnacle of Eighties Moodies.

katsman7@hotmail.com (Madd Hunter)
I agree with your 8, Mark. This is a beautiful, melancholic album. Apart from the really dumb "Talking Out Of Turn" and the weird "Veteran Cosmic Rocker", the others are, as I want to say, excellent. "22,000 Days" has to be my favourite, along with "Painted Smile" which is very different from the other songs. The lyrics aren't as good as they can be, for example in "Talking Out Of Turn" (I didn't mean to make you cry/I don't need an alibi to start me talking out of turn); What's this? It seems to me like a cheap poetic apology!! Anyways, the music is good. VERY GOOD. Listen to the opening of "The Voice" (is this soundtrack music?); very strange. Also, "Meanwhile" has good music. "In My World" is the perfect love song (not the junk of "Talking Out Of Turn"!). Buy this album, you won't be dissapointed. Symphonic pop-rock (yes, rock without much guitar playing). Anyways, I don't understand why "Veteran Cosmic Rocker" is here. Doesn't match with the rest of the album. But ain't bad.

The Present - Threshold 1983.

Like the last album, you just have to ignore the production (which alone was enough to drag this record down to an 8) and enjoy the melodies and harmonies buried beneath.

Reader Comments

malberty@bcie.hn (Mario Alberty)
I really love that album. I got it on cassette in 1983 in Lafayette, Louisiana. I drove my car to Central America hearing that album. Couple of years ago I got it again in CD. Incredible!!

bclaritc@selkirk.csrv.nidc.edu (Blaine Laritchie)
I really like The Present!! Some say it sounds country but I hate country so that can't be true. Maybe it just suits my mood at this time in life. Thanks for ranking it so high.

105156.640@compuserve.com
It's the beginning of their slide. Except for "Sitting", they sound like they're depressed, like on 7th. I like Patrick's elaborate keyboard parts, but the songwriting isn't up to snuff. Most of the lyrics are rather ordinary. "Blue World" is the coolest song. I like the way the bass is mixed way up front. I like "Going Nowhere", too - a moving statement on aging.

hmras@ix.netcom.com (Harold F. Mras)
I love this album. Currently it is my favorite. I don't normally like country either, but "Its Cold Outside Of Your Heart" IS a country song whether Mr. Hayward intended that or not. And "Sitting At The Wheel"? Sure wish they'd do that one live! It's been said this was a very painful album to make. Wonder why?

rlk0003@jove.acs.unt.edu (Robert Linus Koehl)
The Present is, in my opinion, one of their best albums. Unfortunately, the band members all hate the album. In fact, they refuse to do anything from that album in concert which is a shame because "Sitting At The Wheel" sounded VERY good in concert back when they did it in the mid 80s. Justin's guitars were loud and up front, and Patrick's keys were more in the background, and the ending was fantastic. "Blue World" was also a good song in concert, but alas, when The Other Side Of Life was released, the band began to boycott all material from The Present, and they're still boycotting it to this day. The only way to hear that material live now is to be fortunate enough to acquire a copy of the King Biscuit radio broadcast of the LA show from that tour. And that tape is very rare.

MikeRobWil@aol.com
Appears I'm in the minority here. I look at this as a step backward from Long Distance Voyager and more closely attuned to the dull Octave. As much as I love Justin Hayward, "Blue World" needs some heavy editing and not much else has any depth. I've seen the Moodies 5-6 times since 1970 in concert and am not surprise that this material has had little attention live.

lewallen@Oceana.net
Finally, a Present fan! Gosh, it seems like all the fans hate this one. "Running Water" is gorgeous, "Sitting" is addictive, and "Going Nowhere" makes me cry nearly everytime I hear it.

"type your username"@teleport.com (Tom in Portland)
Yep, this is a great -- and much maligned -- album. Ditto on the band's boycott of these songs. Anyone who heard (and saw) Justin playing keyboards to "Running Water" in the '83 tour would agree. Ray Thomas gets bonus points in my book for skewering the boomer generation before it was fashionable. I always think about this song during more recent tours, where masses of "laid-back, uptown, turnaround people" have suddenly reappeared, after dumping the band (for the most part, in a group stampede to elevator jazz from the like of Pat Metheny and Kenny G) in the 1980s!

RFitzpa478@aol.com
It's hard to take you too seriously when you give Days of Future passed the same rating as THE PRESENT? Are we listening to the same albums? Do you really like post Octave material that much? Still, you give the funniest reviews I've ever read, but on this one-maybe you should kiss mine.

Lansman@sweden-c.it.earthlink.net (Tom)
Indeed my first reaction to your review is to scoff, but when I listen to the album itself and do not try to compare it to its predecessor or the "Golden 7", it is actually gets better with time. "Blue World" strikes a chord and "Meet Me Halfway" is an alltime classic of "cosmic rock". "Running Water" can easily stand on its own. Of course, this still doesn't excuse the self-descriptive "I Am" and "Sorry" (truer word were never spoken) and Graham Edge's puke piece at the end of side one, "Going Nowhere".

Nickrj@aol.com (Nick Johnson)
I'll agree with you. The Present is a good album in disguise. The songs are very good, and the best one is John Lodge's "Sitting At The Wheel". I wonder why nobody wanted to buy it?

jhall@si.umich.edu
It's worth having just for the cover art. (Even though "Meet Me Halfway" is Justin Hayward ear candy at its best--which, to rip off Martha Stewart, is a good thing).

BILLCHAFFIN@postoffice.worldnet.att.net
Well, I have read other comments about this release. I agree that the band has 'outlawed' any cut in shows since Voyager but I disagree with them.

"Hole in the World" is a very good military sounding instrumental. "Meet Me Halfway" has always been one of my favorites. In fact, one of the two disappointments of their tour supporting that album was that they did not play it. It was one of those tunes where the mellotron and Justin's guitar were in perfect sync. That does happen and gives me what I call "brain goose-bumps."

The other disappointment was the loss of electrical power for THE piece of the album, Graeme's "Going Nowhere." Ray's voice, the harmonies, and Patrick's multi-keyboard wizardry makes this a classic. I, too, am in middle age, having seen this band 15 times since 1972 (yes, from the Mike Pinder days). This song is very poignant,and beautiful, to me. In fact, I have a print of Maxfield Parrish's "Daybreak", framed in my bedroom.

All in all, the Moodies have certainly slipped since the Core 7 but they still have it. Can't wait to see what comes from the Italian sessions!

stoo@imsa.edu (John McFerrin)
I can't explain the appeal of these songs. I mean, there are just so many little things that make these songs so wonderful. The darkness of Blue World, the unbelievable vocals in Meet Me Halfway, the guitar work in Sittin'... I mean, man oh man. I even like I Am and Sorry. That being said, none of the songs is _great_, but they're all _really_good_. Good enough for an 8 in my book.

MaxOmaggot@aol.com
I have to agree completely with the review on this one. All these songs are beautiful.

Blue World is one of my new favourites, with its great lyrics and beat. Very blue. Very cool.

Meet me Halfway kicks its own ass, despite initial hangups I had with it.

Sitting at the Wheel really grew on me, and I like it, though not as much as the American public apparently did.

Going Nowhere is probably the third best song on here--way to go Graeme. I LOVE this song.

Hole in the World--finally, another instrumental, and it's a crazy military march. Excellent...

and it makes a great intro to Under My Feet. I totally dig the chorus, with those crashing thunder sounds.

It's Cold Outside of Your Heart is filled with emotion I can identify with, so I naturally love.

But Running Water is even better, I think.

I Am is GREAT. We have Ray, flutes, booming, poetry--an all around powerful song. This hearkens back to earlier Moodies stuff (just like how Ray did on Long Distance Voyager). And it even leads into...

Sorry. Which is pretty good. Better than average song, of course, pretty touching at times.

One of my favourite albums now.

Voices In The Sky: The Best Of Moody Blues - Decca 1985.

It's a good darn thing that all the songs on here rule (except "Veteran Cosmic Rocker," which is kinda hokey), or I'd tell Decca to shove it where my moon don't shine. Nine it is! Don't buy it though.

Reader Comments

robertk@jove.acs.unt.edu (Robert Linus Koehl)
Responding to this one is difficult because there were two versions of it released. One with a blue cover had "Never Comes the Day", and "Talking out of Turn" on it. The other with a guy laying down in a field on the cover had "Sitting at the Wheel" on it. Both were pretty bad MB greatest hits albums. It was worth it, though, for the non-orchestral version of "Nights in White Satin".

msmith48@snet.net (Monica Smith)
I agree, for the most part. The songs are great, but there's so much more the Moody Blues have done.

The Other Side Of Life - Polygram 1986.

Reader Comments

105156.640@compuserve.com
I hate all the programming on this album.. The production is too heavy. The lyrics are increasingly uncreative, except for "Other Side" and "Spirit". The peak tune for me is "Your Wildest Dreams". It takes the best elements from "The Voice" (a really cool spacy intro) and "Blue World" (bass mixed to the fore) and combines them with accessible, coherent lyrics. And I must strongly disagree about "It May Be A Fire," which I think is the other high- light. Sure, it's yet another rewrite of Natural Avenue's "Say You Love Me." But Justin's guitar solo is wonderful - it takes the song to another level.

MikeRobWil@aol.com
"The Other Side Of Life" was the first Moody Blues song I can remember seeing on MTV and it was quite an impressive production. I really like this song. It seems to be a departure from all their past work which I would have liked to see as an album theme, rather than an oddity. It's one of their best concert pieces.

lewallen@Oceana.net
If this album is bad, I personally think you can blame Moraz for it. "Look at me, I play keyboard!" Ugh! I'm so glad they woke up eventually and brought in Bias and Paul. I liked the album a lot. "Your Wildest Dreams" is my favorite, but "Running Out of Love" is suprisingly catchy to me.

jtrickey@vivanet.com
I would have to say this is probably the best CD the Moody Blues have ever put out. Granted all but two songs suck ("in your wildest dreams" and "the other side of life") but it was "In Your Wildest Dreams" that turn me on to Moody Blues music. To me anyways this song redefine what Rock and Roll should sound like. I know this may sound corny but it speaks to me about the way I live my life by listening to the music that guides me through life; this song is very dear to me.

fingertipfacts@sprintmail.com
I thought "It may be a Fire" was so good it should have been on the Time Traveler collection.

wcmgelp@utah.uswest.net (Bill)
What?! Have you never lost your first love?! "Your Wildest Dreams" speaks volumes in rather a short span of time. It is possible to be popular and very good simultaneously (that is, at the same time). To borrow a quote from ESPN, "To know is to understand."

Nickrj@aol.com (Nick Johnson)
Uh Hello, if it weren't for this album, the Moody Blues probally won't be recording a new album right now (Scheduled to release in 1998). After all it had only their third top ten single in the group's history. All 9 songs can stick to your mind easily, and you could remember the lyrics to all nine songs. I hope you recognize this, because it's one of their best albums.

jhall@si.umich.edu
When I was fourteen, I thought "Wildest Dreams" was a great song, and it's the song that introduced me to the band, but now that I have a clue, I have to say it's not really all that great except nostalgia. The best song they made in the eighties is here, though--"The Other Side of Life." Try standing in front of the bass amp when they do this live.

kenyon@mail.netnitco.net
I can't stand this album. The only good ones on it are "Your Wildest Dreams" and "The Other Side of Life." No wonder they're the only ones that made it to the Greatest Hits album (the one that later became Legend of a Band). By the way--how many greatest hits albums can one band legally have? because as much as I love them, they have got to be pushing the limit.

stoo@imsa.edu (John McFerrin)
6 is all this deserves. I really, really like the title track, with my other favorites being Your Wildest Dreams, I Just Don't Care, and, surprisingly enough, The Spirit. The other stuff... urgh....

Rock and Roll Over You sucks ass. Completely. Talking Talking has some good lyrics, but it's still stupid. The fact that this hit #9 and The Present only hit 15# (or something like that) simply says that the buying public is a bunch of morons.

MaxOmaggot@aol.com
I just recently got this one on tape... I'd say it's not as good as Sur La Mer, but it's not horrible, either.

Your Wildest Dreams--duh, great song. I've loved it, since, like IKYOTS and TOSOL were both on Legend of a Band, which I've heard lots before.

Talkin' Talkin'... it's true it has a bad name, but I've gotten to really like it. I live for the weird synth zigging between the lyrical parts... you know what I mean. It has other good moments that redeem it.

Rock 'n' Roll Over You also has a shitty title, but the way John says "Like a rock, I'm gonna roll over you," and the melody and such make up for the lyrical... meaninglessness. In other words, I can definitely listen and like, but it's no great song.

I Just Don't Care is more than pretty... I love it. It's slow, just like In My World, but it's got more catch to it. The part where some old-times-sounding instrument (how am I supposed to know what it is?) comes in is excellent.

Running Out of Love is pretty damn fine, too. Better than Rock and It May Be a Fire.

The Other Side of Life is dark and powerful. I would die to see this performed with an orchestra as I've heard it is done in concert...

The Spirit is also one of my new favourites. The lyrics and the melodies and whatever else are all superb, especially the quick synth solo bridge thing.

Slings and Arrows is catchy and good and all that. Equivalent to Talkin' I'd say.

It May Be a Fire is, even with its lack of vibrancy, good. It's not TOO long, and it does have cool parts ("people you've not known for years will come knocking at your door"), but I don't get the significance at all. It's mysterious... which isn't a bad thing.

Sur La Mer -Polygram 1988.

Oh! I've been corresponding with a great guy and huge Moodies fan by the name of Robert Linus Koehl who has provided me yardfulls of information about recent (post-1983) band happenings. I'm now going to present to you a large comment that I've created by combining remarks from five different letters. I'm only telling you this so you won't think that he's the sort of person who would write five or six really long paragraphs about the same band without bothering to ask if I was interested. Honestly, I wouldn't have minded had he sent it all at once, but I thought that you, the discerning reader, might find it a bit strange. Thus, I chose to inform you that this is actually a conglomeration of letters, and not just one letter at all. If you're a big Moodies fan, you should write to this guy. He's really bright, really friendly, and really into the band. Really? Really!

Reader Comments

rlk0003@jove.acs.unt.edu (Robert Linus Koehl)
So you don't like The Other Side Of Life and Sur La Mer. WHY? People often claim that during that era, they sounded like 80's pop. So what! In the 60's they sounded like 60's pop and same goes for the seventies. (Just listen to Octave). What separated the MBs from other pop groups in the 60's also separated them from other pop bands in the 80's. It was the melodies, vocal abilities, and experimentation. (Don't tell me that "The Spirit" and "River Of Endless Love" qualify as everyday 80's pop). And where do you get off saying Ray Thomas sounds fruity? His booming voice (Post 1978) couldn't possibly be mistaken for "fruity." Just listen to "Celtic Sonnant" on Keys Of The Kingdom. If you liked Seventh Sojurn, you should give Bluejays a try. And what was so bad about 80's production? It was much higher quality than previous techniques.

Well, if you want the maturity they showed in The Present, then Keys Of The Kingdom is the album you're looking for. Patrick only managed to play on three of the songs before they kicked him out of the band forever. And I know you will find this hard to believe, but The Other Side Of Life and Sur La Mer do have mellotrons on them, only Patrick erased all the original sounds out of the mellotron and put in explosions and stuff like that. I saw them on the Sur La Mer tour and Patrick had the mellotron with him onstage. Keys and A Night At Red Rocks are very good, and the new keyboardists, Bias Boshell and Paul Blis, manage to mix the best aspects of Patrick and Mike. Keys Of The Kingdom does still have a good deal of keyboards, but the guitars are much stronger, and the flute returns. Red Rocks has everything, a symphony, Ray singing "For My Lady" with the booming voice he used in "I Am", and a lot of good guitar work. Its like the 60s 70s and 80s Moodies all coming together. I'm sorry if I seemed a little abrasive regarding the "fruity" comment, I'm sure you can understand how it could taken the wrong way.

Here's something else you might be interested in: In 92 Patrick Moraz sued the Moody Blues for breech of contract in kicking him out. It was carried on court tv. If you can get a copy of the episode, it is rather interesting. He had a MAJOR falling out with Justin Hayward. Patrick wanted to write more and he told Keyboard magazine that the Moody Blues didn't have enough musical dimension for him and that they were a stale gig. He also made several complaints about how the producer just programs everything and doesn't even deal with real performance if he doesnt have to. (This is obvious on one of the three songs Patrick performed on Keys, "Say What You Mean"). He was supposed to record the Keys album with them, but after three songs, he had to go to America to score a film. During this time, they brought in Bias Boshell, who at that time was their concert backup keyboardist, and Paul Bliss to complete the album. Then the Keyboard magazine article came out. This caused a major rift between them. The final straw was the face to face confrontation with Justin that followed. So they kicked him out, and he filed a suit against them for three million dollars in American courts. This forced them to cancel the Australian wing of the Keys tour. The case was thrown out of court because the lawyer kept trying to smear Justin and John, using the fact that this was on national tv. Patrick was, however, awarded 30,000 dollars in back royalties. The MBs then wrote him out of their history, claiming that he was only a "backup" musician. The most interesting twist was that after the suit, Mike Pinder filed against them for back royalties using the same lawyer as Patrick, but ended up settling out of court.

And about the '80s records: Well, back in 1985, the band signed to Polygram records, and Polygram began to market them as Justin and John with a bunch of backup guys. The producer and the record company decided to make J&J the only voices heard because they were the most pop marketable. It wasn't the band's decision. Ray didn't even bother to show up for the Sur La Mer sessions because he knew he'd be doing nothing. And according to Patrick, the producer was making them program everything, drums, bass, you name it, everything but the guitars. Finally, during the making of Keys, they revolted, and put Ray's voice in towards the end of the album, along with real flutes. On the Red Rocks album, Ray adds his voice to all the songs that he didn't get to the first time around ("Wildest Dreams," "Out There Somewhere") Although, I would advise buying the Red Rocks video before getting the disc, the video has more songs.

If you'd like a quick review of Keys Of The Kingdom, read on. "Say It With Love" and "Hope And Pray" have a lot of programming; it's just being done by Paul Bliss instead of Patrick, so the style is different. "Say What You Mean" does have Patrick, and too much programming, but the rest of the album is different. "Bless The Wings" and "Shadows On The Wall" are ballads which include a real orchestra, and the keyboards have been traded in for an electric piano. "Magic" is a John Lodge rocker that features REAL DRUMS. It also has a kick brass section that adds a good effect, and some good guitar work as well. "Is This Heaven" is an acoustic guitar song which shows off a sense of humor that's been missing in other albums. "Once Is Enough" is another semi-serious song, with the kick brass, and a crunch guitar. "Celtic Sonnant" was written and sung by Ray, and has alot of Flutes, enough said. And the song "Lean On Me Tonight" is a ripoff of "Talking Out Of Turn" but I like it anyway. Well, I've rattled on long enough. You should like Keys better than the previous two. You'll probably REALLY like Red Rocks. The symphony makes the music perfect.

105002.1254@compuserve.com (Trevor A. Kotowich)
I really do like parts of The Present, especially "It's Cold Outside Of Your Heart," "Meet Me Halfway" and "Hole In The World" ( I always thought they should do more instrumentals -- although "Procession" was something a little too weird for me!). But something happened on the way to the next album! What I mean is, as albums go, the next three I have to give an overall failing grade. The catchy (albeit simple) "Wildest Dreams" was a hit with me right away, but the rest of the album is made up of average songs, for the most part made worse by the over use of synthesized horns and electronic drumming machines. Sur La Mer...Ditto. I think "I Know You're Out There Somewhere" should have been called "Your Wildest Dreams Part Two" but it is not as good, and so this album should have been called The Other Side Of Life Part Two. Some may say I am being over critical, but even without the electronic overkill I just don't think the songs are as well written as in the past. I must say although that "Vintage Wine" and "No More Lies" (both perhaps somewhat sappy) are somewhat enjoyable, thanks mainly to streamlined instrumentation and I can actually hear Justin Hayward's acoustic guitar for a change! As for Keys Of The Kingdom, the song "Say What You Mean" is pretty hokey, especially the disco-like keyboards and drumming, and i could really do without the spoken bits--what's next, "Late Lament Part Two"?. As for Ray's plodding "Celtic Sonant", more hokey spoken bits. Lodge tries to recapture the rocking spirit of "See-Saw" with "Magic" and for the most part it works. "Lean on Me" is OK with a nice acoustic guitar solo in the middle and some nice lyrics ---"and you can see your world slip through your fingers, I'll reach out for you in my heart" for example. Same goes for another John Lodge tune "Shadows On The Wall". The song "Never Blame The Rainbows For The Rain" has nice vocals but a somewhat depressing tone to it (at least to me it does), reminiscent of "Melancholy Man" but not quite THAT bad. Rest of album is undistinguished in my opinion.

MikeRobWil@aol.com
This must be what happens when you are approaching 50-something but still feel obligated to be creative. I hope I find the fountain of youth quick! Bought both of these on CD not having heard them and I've only played them a few times since their purchase. Pretty God awful stuff. But hey, I just can't give up and I bought tickets today to see Justin as a solo act Dec. 3, 1996 at the Coach House in San Juan Capistrano. What will I hear? Maybe the Moody Blues Part 3.

lewallen@Oceana.net
This is also one of my favorites! Though, I have to clear up something somebody else said first. Ray did not drop out because of anger. I've talked to people with excellent knowledge and they have all said that Ray was not involved because of health problems. Justin and John would never let him be dropped from an album like that.

Anyway, back to the album. Well, at least Patrick dropped back a bit. "IKYOTS" isn't as good as "YWD," but still great. "Vintage Wine" is one of their best ever, "Breaking Point" is just plain spooky, and "Want to Be With You" is wonderful. Also, "No More Lies", the sequel to "IKYOTS" and "YWD," is very nice. All in all, a great album.

Keys Of The Kingdom isn't as good in my opinion, but it's definitely worth a chance. John's "Lean on Me" is probably his best since Long Distance Voyager, and one of my favorite songs. It also makes a great lullaby if you're rocking a small child.

rabin@BINAH.CC.BRANDEIS.EDU
I didn't know Bias Boshell was in the Moodies. He had a psychedelic Fairport Convention type band called the Trees in the Seventies who made two neat records and he wrote all the originals. And it is true that dolby named their tape grading system (high bias, low bias, with the little greek letter 'mu') after him.

Nickrj@aol.com (Nick Johnson)
HOW COULD YOU GIVE THIS ALBUM A 4????!!!!!!! It's a pretty good album. Tony Visconti, the producer, didn't give Ray a chance, but you've got to like the songs they put together, espcially "Want To Be With You" and "Deep". I wish you would come to the eighties. As for Keys of the Kingdom I didn't buy that album either. I read it did'nt do too good.

m-parkinson@onu.edu
Hey, now! Sur La Mer isn't *that* bad. Yes, it may have been money-driven, but then again, I'd be pleased to hear of a popular music act that *isn't* money driven.

Back to the album... "Vintage Wine" has this nice, up-tempo feel to it. I read somewhere that Hayward and Lodge wrote "Breaking Point" for the movie of the same title. However, they saw clips of the movie, didn't like it, and pulled the song from it. The guitar solo on "Deep" is one of the best guitar solos I've heard. (David Gilmour on "Comfortably Numb" and Joe Walsh on "Victim Of Love" are better, maybe.) I was told the "Deep" has a sexual tilt to it, but I don't think so.

stoo@imsa.edu (John McFerrin)
A somewhat distrubing number of you have wondered aloud about why Sur La Mer was given a 4. First off, remember what a 4 means; not godawful, but lousy nontheless. This is a perfect description of this album. I Know You're Out There Somewhere is a great opener and brings me to tears from time to time. No More Lies makes me smile, and Vintage Wine is pretty neat.

But ... when I listen to the rest of this album, I hear a bunch of men in their early 40's going through a midlife crisis and trying to sound young again. No wonder Polygram considered them a joke by this time. Want to be With You is pretty, yes, but even though it's only 4:48, to me it just seems to go on and on and on. River of Endless Love has signs of creativity, but tries too hard to 'rock.' And then there's Here Comes the Weekend. THE MOODY BLUES WERE NOT MEANT TO BE 'ROCKERS'!! If you will look back through their catalog, you will notice that whenever they had a good, well written 'rocker', it always had depth/darkness to it (Story in your Eyes, Singer, Eyes of Child II, Gypsy, etc.") HCTW, however, is utter crap. It's possible to sound 'modern' and still be good, but it's even easier to sound 'modern' and be total garbage, and Lodge manages the latter rather than the former.

Breaking Point tries to set a mood of some kind, but it just sounds phony. Miracle seems to me, at least, to be a rip-off of River of Endless Love (you know you're having problems when you have to parody something from the same album). Love is on the Run is better, and has real potential, but falls flat. And finally, Deep does have the aforementioned sweet guitar solo (btw, even Visconti, the producer of TOSOL and SLM, has admitted that Deep is about sex, so don't try to say otherwise), but ... overall, it's just mediocre. A drum machine and lyrics about horniness. Just like everything else out there.

I love the Moody Blues, more than any other group, but I can't lie to myself and say that this album is good or even mediocre. It just sits there and doesn't do anything, and most surely deserves the same ranking as Monumental Crap of Gilmour.

custudent@colorado.edu (Sean Lynott)
All I have to say is that Deep has the best guitar solo I have ever heard Justin Hayward do. It is intense, powerful and always sends a chill down my spine when I hear it. You can make fun of the song and it's sexual implications all you want, but that solo is awesome!

MaxOmaggot@aol.com
I just broke in (as in, gave all the songs a few listens over) this album. All I can say is "Wow." I had read so much bad stuff about it that I hadn't begun to hate it before I listened to it, but I had absolutely no hopes for it. That worked out the best, because I'm surprised now that I've listened to it and like it, nay, love it. It's probably better than The Other Side of Life!

I Know Your Out There Somewhere is, duh, a favourite of mine (since I listened to this on the Legend of a Band when I was a kid). Thy synth bothers me zero. I think it's beautiful.

I haven't given Want to be With You many listens yet, but I like the lyrics... the overall effect is kind of boring, but I feel it'll grow on me. It is one, as of now, one of the low points on this album.

River of Endless Love kicks ass... it's got that creepy synth backbeat thing or whatever. To me, it seems like a Dark World sequel to Running Water (just because of the similiarities "aaaaah, running water"--"ah, on a river of endless love").

No More Lies is competent and growing on me, like Want to be with You, but better.

And wtf is everyone's deal with Here Comes the Weekend?! This is song is NOWHERE near the worst Moodies song ever. I really like it. It sounds creepy.

Vintage Wine is great, too. It takes a while to get used to the "oh oh oh, oh oh oh, ooooh oh oh oh oh oh oh" part. Justin sounds too wimpy. What a wimp. But the rest is AMAZING (especially the time he goes "aa-aa-ah'll tell you").

Breaking Point is one of my favourite songs now. This song is just indescribably scary. Hands of ice... down your spine? Jesus Christ.

Miracle is upbeat and very catchy. I like it.

Love is on the Run... eh--I don't know. The low point of the album.

Deep--oh yeah. Great album ender. It's dark, like Breaking Point, and long. You have to love that "air being released from a tire" wheezing beat. It's creepy.

This is possibly the Moodies creepiest (not darkest--I guess On the Threshold of a Dream takes that prize) album, and it's good, goddamnit! The synth doesn't really bother me.

Keys Of The Kingdom - Polygram 1991.

Reader Comments

katew@bicnet.net
I can't understand how anyone can put down Sur La Mer and the Other Side of Life while praising Keys of the Kingdom! I think that Sur La Mer is their best album of the 80's under Long Distance Voyager. "Want to be With You" and "No More Lies" give me goosebumps everytime I hear them, and "Here Come the Weekend" is their most kick-ass rock 'n roll tune since "I'm Just a Singer (in a Rock 'N Roll Band)." I don't like the fact that Justin & John were the only two writing & singing at that point, but they really are dynamite when they put their heads together. I admit that nothing will ever come close to the old albums with Mike Pinder, but I really think that Sur La Mer kicks, and The Other Side of Life is really good too, with a lot of really original and extremely listenable songs (such as "Talkin' Talkin'", "Rock 'N Roll Over You", and the title cut). Keys of the Kingdom, to me, while still a good album, is the poorest of all their albums. The only song that really strikes a nerve in me is "Lean on Me (Tonight)" (which is really wonderful in concert).

tabasco@worldnet.att.net
Well I have another one. I did not feel like getting one of their 7 classics so i got this one. They still got it.... They still have that excellent abillity to impress their listeners. Bless The Wings (That Bring You back) is a very beautiful track with a stronger guitar sound put into it. At the end is a beautiful orchestra sound that touches you. I like Is This Heaven?, it has a pretty funky tap dance in the middle of it and such spectacular lyrics put into it. Say What You Mean Parts 1 and 2 I heard on the radio before so I knew what the song was. Lean On Me (Tonight) was a beautiful track that I first heard at the concert I went too. I still like it. Celtic Sonant was a beautiful Ray Thomas song. It's an irish poem. I also think Never blame the Rainbows For the Rain is a very sweet song even though it was there last. I still like it. Enclosing my review I give this album a 8......

stoo@imsa.edu (John McFerrin)
Your review basically nails it. The Present has really good song after really good song after really good song. Keys of the Kingdom has GREAT song after GREAT song after .... medicore song after ... absolute shit. But, the best on here is better than the best on The Present, so despite the fact that there are some _major_ dips in quality at points in this album, the highs of the album are high enough to drag it up to a 7.

GRIJ@chevron.com (Jennifer Griggs)
Well, I guess I'm a bit partial to this CD being it was the first Moody Blues album I bought back in '91 and it's been played many, many times over the last 9 years. "Say It With Love" is a super track to begin the CD. It's up, lively and positive. Great live song, too. "Say What You Mean" (Track 4) is exciting and phenomenal. Have you ever listened to what Justin Hayward is saying in part 2?! "Let's walk into the forest, only witnessed by the moon......and the breeze that once would chill us, now excites us....and we'll touch the secret places as the earth beneath us breathes and the roar of exquisite ecstasy rushes in...." And then there's that big splashing sound!. Whoa!!! Chills!! (I know you female fans out there can relate.)

"Celtic Sonant" is so very beautiful and touching. "Hope and Pray" is great with the line, "When it comes to matters of the heart, I thought I had it covered but it's tearing me apart."

John's ballads are emotionally moving and though his voice may not be as strong as a soloist as Justin's or Ray's, he contributes greatly to "that sound" that the Moodies had and always will have. His harmonies with Justin, that high pitched "aaahhh" all come from John and they just wouldn't sound right without him!

I give Keys of the Kingdom a 10. It's one of my favorites and if you don't have it, get it. Get a glass of wine, put the headphones on, and really listen. It's great!

The Story Of The Moody Blues: Legend Of A Band - Polygram 1989.

Oh! And for no good reason at all, they've re-recorded "Isn't Life Strange" (which honestly isn't harmed too much by the process) and "Question" (which IS) instead of just including the classic original versions. Ugh. Still, there's no getting around the quality of these tracks. Great songwriters, those Blues can be when they desire! Still no "Legend Of A Mind," though, regardless of the misleading album title.

Reader Comments

robertk@jove.acs.unt.edu (Robert Linus Koehl)
Actually, "Legend of a Band" was the name for the Documentary video made of the Moody Blues and released around 1990. Polygram put this together as a montage of Moodies music video's through the years, live footage, and band members telling the history of the band. The remake of "Question" was actually done for the MTV video version of "Question". Polygram had originally asked Justin to re-do "Nights in White Satin", but he refused. The video for "Question" was horrid. It contained video footage of the Moodies performing "Question" from their 1984 Wembley concert, Coronet documentary films, and classic Moodies videos. As far as I know, there was never a video done for "Isn't Life Strange". The Documentary version of Legend of a Band also contains video's for "Nights in White Satin", "I'm Just a Singer", "Slide Zone", "Voice", "Gemeni Dream", "Wildest Dreams", "Other Side of Life", "No More Lies", and "Out There Somewhere". It also contains live versions of "Tuesday Afternoon", "Story In Your Eyes", and "Ride My See Saw" from the 84 Wembley show. As for overlooking TOCCC, there were no "hit singles" from that album, and at the time, they were ignoring it and Octave. As for the present, The Moodies themselves dislike that album, and seem to be pretending that it never happened. Who knows why this CD was released. Possibly as a "soundtrack" for the video? I don't know. I personally think it was just Polygram attempting to make more money. If you want a GOOD Moody Blues greatest hits package, get the Time Traveller box set.

tabasco@worldnet.att.com
Great cd. Actually this is my parents but what the hell i listen to it anyway anytime i want. "Your Wildest Dreams" got me going on this cd it really sounds like you are in a dream really. That came out on The Other Side Of Life. "The Voice" opens with Pat Moraz's synthesizer and keyboards. Then it talks about in the beginning Going Back to School Woopie. "Gemeni Dream" has a disco beat into it. These 2 tracks came out on Long Distance Voyager. "Gemini Dream is my favorite song". "Tuesday Afternoon" was also good tack i heard some mix of melotron and orchestra on that song. "Isn't Life Strange"? It sure is. Good song i never heard of The Seventh Sojourn. Sounds pretty fucking intresting. "Nights In White Satin" hey a Number 1 hit is what they need. Espically if it 8 minutes long. I'll take it man, really i would. "Late Lament" is cool so Breathe deep that gathering gloom watch lights fade from every room. "Tuesday Afternoon" and "Nights" came out on Days Of Future Past. I never saw the video to "I Know Your Out There Somewhere". But i heard the song and it's moving heart warming and relaxing. Sur La Mer was the cd it came out on. Oh, I forgot a track "The Story In Your Eyes". Another good track. I want to get Every Good Boy Deserves Favour soon. It has a picture of Pinochio and Japetto on the cover and the blue fairy in the backround. The only reason i wanna get this cd is "Procession" and my girlfriend Emily. Well back to the review. "Ride My See Saw" was all good. One of the few guitar rock songs on this cd. Most of it is keyboard or orchestra. They should do more guitar rock tracks Really Believe me. This one came out on In Search Of Lost Chord. "The Other Side of life" is cool to. Its a title track. "Question" chug a chug a chug a chugga DA DA DA DA. Mellowy and guitary, and lyricy is what what i say hoo hoo. Funky sound and music this isn't the 1970 version it's the 1988 version. I never heard the 1970 versio but as far I know this is a good song the way it is on this cd. Ok okay i love phsycidellic music you know i realy do Yes, Pink Floyd, and The Moody blues fit in to my music intrests. See ya all later you can check out my reviews for those 2 other bands you'll love em. Please email me your oopinions of anything you wanna know about Yes or Pink Floyd I wanna here them but don't ask me about The Moody Blues I am really not to familiar with them yet. Enclosing my review I give this album a Perfect 10. Have a safe and healthy summer and don't drink and drive and Drive Safetly. Bye all

kenyon@csinet.net
My dad bought this when it was just Greatest Hits, and when he died it got passed on to me along with some other stuff (including a huge stack of Beatles records, but that is beside the point). Then a while later they repackaged it and issued it as Legend of a Band. I'm still not quite sure why. But anyhow, this was the first Moody Blues album I ever owned, and it got me hooked pretty quick. Even though it neglects TOCCC, it's still great. Nice sampling of their various styles.

Too bad. Still, it's got lots of classics and, even in their weakest form, songs as intrinsically beautiful as "Question" and "Nights In White Satin" can hardly cease to amaze - or at least slightly impress. Too many keyboards, though. Dump the keyboards, pump up the orchestra, lay off on the "oh yes, I wonder!" vocal asides, and you got a dang eight or nine here.

Reader Comments

underwood@midwest.net (David L. Underwood)
I absolutely love the Night At Red Rocks cd. My favorite next to Children's Children and Sur La Mer (I have no idea how that got a 4 in here)? Red Rocks is so cool! It "Rocks." I do agree they do need to pump the orchestra up a bit, but Hayward did not even like the idea of an orchestra playing with them. I went to a St. Louis concert and the orchestra was a bit louder; maybe Hayward is getting more comfortable with them. But Red Rocks is just so awesome! "Nights" and "Question" just totally rock. And in Time Traveller, the bonus disc, "Legend Of A Mind" is just totally awesome. Good orchestral arrangements!!! Wow!!!

lewallen@Oceana.net
Let's see what this spring/summer brings, guys!!! A new album, and possibly new goodies!!! Plus, check out Justin Hayward's new solo, The View From The Hill. Wow!!! Talk about great!!!

JW90125@aol.com (Bill)
I happened to be at the show recorded for this album & video. I don't know if it's me, but the orchestra is much easier to hear on the album than it was in person at this show. I most liked the fact that the moodies went back to using acoustic guitars in the songs that had them in the studio versions (I think "Nights in White Satin" sounds dumb with an electric guitar, which is the way they performed it in earlier shows I had seen). I have not missed a Moodies show here in Denver in the past 16 years. A better Red Rocks show happened 2 years later in 1994, when they played again with the CSO. The program included songs like "Gypsy," "Eternity Road," "The Actor," "Driftwood," and a few others they hadn't done on stage in a few years. I would much rather have this particular show on a cd than the other. Personally, I would just once like to see them lose the backup singers, second drummer and get Pinder back with his mellotron (pipedream, eh?). Given their age the sound may not be pretty, but I think it would make a hell of an idea for a final Moodies tour. Perhaps they could also make a final studio album with the same lineup (as long as it's a TOCCC clone). Anyway, A Night At Red Rocks isn't a bad album; my only beef at the time it came out was that "Legend of a Mind" & "Story in Your Eyes" weren't included in the original release. (By the way, between A Night at Red Rocks & the bonus live tracks included with Time Traveller, the entire show is there). One final thought- if they do make one more studio album, hopefully it will be filled with classic Moody Blues, not the commercial fluff that has dominated the last few recordings.

lehmann@ideasign.com (Doug Tedeschi)
The song "Just a Singer" had a lot more energy than the version on 7th Sojourn. You can see the energy in the audience when the song stops twice for 1/2 a second. Those two brief pauses build up excitement a lot more than the studio version ever could. I have everything done by the Moodies (except the album with Denny Laine) Red Rocks really rocks!

wcmgelp@utah.uswest.net (Bill)
You're rather a critical fellow, aren't you? It's just good music, albeit not perfect. Put on a CD, lie down, and relax. It will all work out. Disco intro on "See Saw?" Nahhhhhh. All in the eye of the beholder.

joe@tutsys.com (Joe Strickland)
I enjoyed reading your critiques of the Moody Blues and for the most part agreed with your assessments. I absolutely loved their early albums but from OCTAVE on, their albums took a big slide (your later ratings were way too kind). At best, they had two songs on each that still had a glimmer of the past's magic. What I really would like to address is their live performances. The Moodys,IMHO, were a great band for those soft, dreamy, soul-stirring, mind-expanding ballads and beautiful love songs that we all loved so dearly. However,they were never, apparently, meant to be "Rockers". I have seen them several times in concert and they always insisted on playing all their up-tempo songs in a vain attempt to "Rock" the house (which consisted mainly of aging baby-boomers like me who prefer their more mellow stuff). I always left the arena feeling like they were more interested in throwing off their image of being "mellow moodies" and convincing the audience that they could (still?) "rock" rather than giving the audience what they really loved to hear (mellow Moody Blues tunes). Patrick Moraz was bouncing around the stage, like a cheap circus geek, with his "big hair" and playing that ridiculous portable organ that looks like the one under your tenth christmas tree. I hated him the moment I laid eyes on him. Whatever!... One other absolutely marvelous song any Justin Hayward/Moody Blues fan should not miss is his captivating "Forever Autumn" contribution on the WAR OF THE WORLDS soundtrack. Scour the used record stores for this song. It will be worth it. The rest of the album is nothing special (with the possible exception of Richard Burton's marvelous narration and "Thunder Child"). I have transcribed the chords/words for "Forever Autumn" if anyone is interested (can anybody figure out the tablature for the leads?) Can the Moody Blues ever return to that same mystifing form as Threshold of a Dream or To Our Childrens x3? Doubtful, but Hope springs eternal!

hapyjack@pacific.net (Tigger aka Christie Sue)
You should be ashamed of yourself for some of these filthy, underground thoughts (she says in her best, stuffy English teacher voice). However, any thoughts about the Moody Blues are better than no thoughts at all.......

upress@mach3ww.com
I dont think you have a clue of what the Moody Blues are really about, you are obviously not on the other side looking in.

henni9e@gcs.co.za
I've got the Keys Of The Kingdom. It's real nice. Acctually I don't know how you would like it 'cause I am 19 years old. But man the Moodies is great, admit it! Can't wait for their next CD, I hope it's not too soft and gentle.. I don't want to say the guys is growing old but hey, the only two guys that still likes noise is Graeme and John.

Nickrj@aol.com (Nick Johnson)
Well this album is a collection live with the Colorado Symphony Orchestra. But I've got to say, John Lodge didn't have a good voice that night. He must've had a sore throat or something. It's not his usual John Lodge voice. Otherwise this album is great. Listen to "Legend Of A Mind" on Time Traveler, on the fifth disc. It is AWESOME!!!!!!!

tomad@flash.net
Well part of me says that all of us should get a life- I mean the Moodies prime was a long time ago...but for people like me who got turned on to the Moodies in the late 60's or early 70's, they were truly magic. I first saw them in 1971 in San Antonio..I was in college in San MArcos and chick bought me a ticket ($6) to their concert. She also gave me a hit of acid and we drove down for the show. Other hippies on the interstate waived to us... I parked on the sidewalk so we wouldn't be late-didn't care if the car would be there later. The show started with "Gypsy" and ended with "Ride My SeeSaw" and totally blew my mind in between. Mike Pinder's mellotron roared thru the Arena and there was so much POT smoke in the air the band looked like it was floating on a cloud. We went back to San MArcos and went skinny dipping...my ears rang for aweek. I saw them many more times after that...once at Red Rocks. I met Justin Hayward there after the show...he said I looked familiar. I learned how to play the guitar because of him. Yes some of there music is passe but under the right conditions they still have MAGIC..but like a butterfly wing that magic is very delicate and too much inspection ruins it. But yes, my favorite album is TO our Childrens... thanks to all

Sputnick502@aol.com
How can you call yourself a Moody Blues fan. You were more negitive towards them than positive. i think that you don't know a thing about the Moody Blues. Graeme is a awesome poet and John, Ray and Mike all have splendid voices. I think you should be more positive.

cliffnorth@localaccess.com (TAD)
Your Moodies reviews R right on the money, very fair, level-headed & complete -- & let's not 4get FUNNY.

It's nice 2 C some1 who notices the really good, overlooked stuff that all the other big-time reviewers always leave out -- tracks like "You and Me," "Peak Hour," "Evening: Time to Get Away," "It's Up to You," "Meanwhile," "Nervous," "In My World," "You Can Never Go Home," "Blue World," "Running Water," "It's Cold Outside of Your Heart," etc. I LIKE "Eyes of A Child, Part Two," I just wish it was a minute or 2 longer....

My favorite Moodies track ever is "You and Me." Seventh Sojourn was their first album I ever heard all the way thru. Heard "Ride My See-Saw" on the radio 4 years, but had a heckuva time finding out who it was....

If you ever stumble over a copy of This Is (the 2-record best-of), B sure & listen 2 "Simple Game," which I think is Mike Pinder's BEST song BY FAR -- the silly "doo doo doo" choruses'll kill ya. It would have made a GREAT addition 2 In Search of the Lost Chord, the Xtra touch of comedy that album could have used (Xcept 4 "Om," which is silly enough already....). I agree with U about that record's rather low value. (I think "Simple Game" was originally the B-side of the "Ride My See-Saw" 45, seems I read that somewhere....)

I think Graeme Edge had about 2 great moments as a poet -- his best, I think, is "The Dream" on On the Threshold of a..... At least there his poetry-reading doesn't sound intrusive. & whatever that thing is called that opens "Ride My See-Saw" on Lost Chord is pretty wild, 2. I 4get the title right now, but it's a cool track. & of course "Late Lament" has Bcome a classic of our time....

The Present is 1 of my favorite Moodies albums -- I think it might B their most consistent record. MayB other fans just didn't give it a chance. Course, I can't find more than 2 good tracks on Other Side of Life or Sur La Mer & couldn't find ANYTHING worth playing a 2nd time on Keys of the Kingdom.

Don't know if U got a copy of the Time Traveler 4-CD set, but has any1 ever complained 2 U that the CD versions of "Blue World" & "Running Water" R programmed WAY TOO SLOW? I wonder what went wrong....

I was actually fairly disappointed with Time Traveler. I mean, the music SOUNDS great, & most (but definitely not ALL) of what I wanted 2 hear was included, but... when U spend $60, & after yr done lookin it over & hearing it, U can still say 2 yrself that U could have written a better history of the band on yr own, plus could have done a better job picking the tracks that were used.... I mean, despite all the great music, it just didn't WORK 4 me, & I LOVE these guys. I could have picked better "rare" tracks (why wasn't Hayward's silly "Cities," the B-side of the "Nights in White Satin" single, included? Why isn't "Simple Game" here?), I could have written a better history of the band. Somebody at Polygram really messed up the assignment....

Anyway, nice work here, I read every word. U R providing a valuable service. & U should go back & re-listen 2 Ray Thomas's stuff. "Veteran Cosmic Rocker" is a hoot, "Our Guessing Game" is pretty great, 2. I even like "Sorry." & I've learned somehow 2 enjoy "Painted Smile." I think Ray's underrated.

& if U've never heard Hayward & Lodge's Blue Jays, U've GOT 2 score a copy. It's pretty great, especially "When You Wake Up," "Saved by the Music" & "This Morning." But practially every track's a winner.

katew@bicnet.net
The only problem with this album is the female backup singers. They absolutely ruin the best part of "Singer in a Rock and Roll Band". Other than that, this album is masterful in every way.

radio_gawd@hotmail.com (DJ Dude)
Absolutely the most overrated, boring, pompous piece of artsy-fartsy shit band ever created. How a child could like crap like this is beyond me, but you've obviously evolved into some sort of self-important mutant fuckwad not unlike this band. Plus you've got the guts to bag on AEROSMITH? Fuck off.

Well, any publicity is good publicity, huh? Keep up the bad work.

m-parkinson@onu.edu (RockHistorian)
I like the album. Like Justin Hayward, I'm glad it was recorded. Yes, the voices are getting a bit weak, but what do you expect? THEY'RE GETTING OLD! I read somewhere that Hayward turns 50 this year, and he's the youngest. Hence, the backup singers were brought in to hit notes that the guys can't reach anymore. SO BE NICE!

Back to the album. "Nights In White Satin" is still as powerful as it ever was. Ray Thomas just plain shines on "For My Lady." If you really like this conert, I suggest getting the video. On the video, "New Horizons" and "Say It With Love" appear, whereas they don't on the disc.

My only dissappointment with the video is this: They didn't do enough Ray Thomas songs (ONLY 1). Consequently, Thomas is on stage for 2 hours with NOTHING TO DO.

Oh, it takes serious guts to rip Aerosmith AND The Moody Blues. The Moodies are actually one of the top bands in the world. They haven't put out a studio album since 1991 because they're too busy with touring. Hey, you must be doing something right if you've sold 55+ million records worldwide...

stoo@imsa.edu (John McFerrin)
While feeling greatly bored, I decided to give ratings to the Moodies' albums in the same style that you've done, using a little algorithm I came up with (it's kinda dumb, but it works). For the most part, the ratings I came out with are pretty close to those which you have determined

Here they are
DOFP: 9
ISOTLC: 7
OTTOAD: 8
TOCCC: 10 (duh)
AQOB: 7
EGBDF: 8
SS: 9
Octave: 7
LDV: 8
Present: 8
TOSOL: 6
SLM: 4
KOTK: 7
CL+5: 8 (glad someone else likes this album)
Red Rocks: 9
Legend of a Band: 9 (Hard not to be)

I also did this for Floyd too, but that's another time

msmith48@snet.net (Monica Smith)
I have to say I don't like this album that much at all! It only has 15 songs out of the many that they performed! Where's the rest of it? And, while Ray is singing beautifully, John is straining to hit those high, high notes and Justin sounds like he has one HECK of a cold! (Must be that Rocky mountain air, I dunno.I mean, "Choo-sday afternoon? What is that??) And WHAT is with those lousy women backup singers???!! They're drowning out the orchestra and to top it off, they sound absolutley horrible, like deranged opera singers. (ie:Isn't life strange, tuesday afternoon.) i wish I could hear the concert in its entirty.

However, there are definitely problems. First of all, the collection could definitely have used another disc. Only one disc is devoted to the post-octave material, and as such, great tracks such as Meanwhile, Meet me Halfway, Vintage Wine, Hope and Pray, and Never Blame the Rainbows for the Rain get the shaft. More distressing, however, are problems with the selection of earlier material. Who was the dumbass who decided that Don't You Feel Small belonged ahead of The Tide Rushes In or Eternity Road? Why is My Song here and not Emily's Song? Where is Simple Game? And where the frig is Go Now? While two of the pre-DOFP tracks are really really nice (Love and Beauty, Cities), Fly Me High is quite expendable, in my opinion. Also, while the accompanying biography of the band starts off strong, the writing gets really iffy as the band's career progresses into the 80's.

If you can find this on sale, it's worth your while, otherwise, don't bother.

Reader Comments

robertk@jove.acs.unt.edu (Robert Linus Koehl)
Ohhhh I HAD to repond to this one.

I went and got the first copy of Time Traveller that hit the shelves when the album was released in 1994, and these were my thoughts. First, I'm GLAD they didn't include "Go Now." The band that did "Go Now" and the band that did "Nights in White Satin" were not the same Moody Blues, and I'm glad to see them refusing to live in the shadow of Denny Laine. As for the other pre-DOFP material, I think "Fly Me High" is a perfect inclusion. It's a look at the EARLY Justin Hayward. You cant get much earlier Hayward material without going into the solo stuff he did back in his mid-teens like "London is Behind Me," "Day Must Come," "I'll be Here Tomorrow," or the stuff he did with his previous bands like The Whisperers. And "Love and Beauty" is probably my favorite Mike Pinder song ever. My complaint is that there wasn't MORE pre-DOFP Hayward/Moodies stuff like "Leave this Man Alone." That one got snubbed by Caught Live+5, Prelude, and this compilation. I agree with you on the fact that "Simple Game" should have been included. I also agree that this should have been a bigger set than it was. Alot of the 80's material got snubbed, and for that matter, WHY THE HELL is the only live material on here the Red Rocks outtakes? Don't get me wrong. The live extended version of "Legend in Mind" is worth the price of the entire set, but there has been so much live magic from this band over the years, it's sickening for me to think that aside from bootlegs, they've only had two live releases. This set would have been a perfect place to include some of those cuts, like the live "Veteran Cosmic Rocker," which always included an extended Thomas/Moraz duet, or the live "Rock and Roll Over You," which bore little resemblance to the original, or the live "Blue World," which bore NO resemblance to the original. I am glad that it included the Keys of the Kingdom outtake "Highway," which was actually one of the best songs recorded in the Keys sessions, but I would have appreciated MORE outtakes. I know there's one from Long Distance Voyager called "I'm Alive," which was written by Ray. There have to be some from the other sessions as well. I appreciate the fact that they put the ORIGINAL mix of Tuesday Afternoon, and Nights in White Satin on here. The original mixes of Days Of Future Passed have never been released on CD. Only the 1978 re-mix is available on cd. I only wish they had included "Time To Get Away" as well. That song suffers the most on cd because so many of the background vocal parts have been removed. Time Traveller brought back the original mixes of TWO DOFP songs, why not one more. Oh, and one more beef, WHY is "Forever Autumn" on this release? It barely even qualifies as a Justin Hayward solo single. He did LEAD VOCALS only on that track, everything else was studio musicians. He didn't even write the thing. If that's a Moody Blues song, then I guess so is "Something Evil Something Dangerous," "Shoe People," "It Wont Be Easy," or "Eternal Woman." I dare say those barely even qualify as Hayward solo tunes. Of all the solo albums that Justin did, of the two albums Ray did, of the KICK-ASS solo album John did, of the dogcrap Mike did, and of the stuff Greame did, the ONLY solo venture they included in Time Traveller is a song that Justin merely lent his vocals to on a disco-opera remake of War of the Worlds? Whoever put this compilation together had a sick sense of irony. That, in a nutshell, is my opinion of Time Traveller. When it was a five disc set, it was worth it for the fifth disc, which included the Red Rocks outtakes and the 1994 hit single "This is the Moment." Now that it's been reduced to four discs, don't bother.

GRIJ@chevron.com (Jennifer Griggs)
Time Traveler is a fantastic box set which includes a wonderful history of the Moodies. The song "Fly Me High" is great! It sounds like something that should've been included in any "Austin Powers" movie.

My one complaint is the live version of "Bless the Wings that Bring You Back" Justin is great; it's those awful backup "singers". What's with the: "Aye, Yye, Yye...." in the background?! That's not the way it was on Keys of the Kingdom. They sound like Ricky Ricardo. Besides that, they are about 1/2 a step flat. Yuk. Get rid of those chicks!!! They are an eyesore (and earsore) They are NOT needed!! If the guys want a "fuller" sound, then dub it in electronically.

Other than that, the box set is worth getting. The booklet enclosed is great, too!

Strange Times - Universal 1999.

It really is a solid album -- but, clocking in at 57 minutes "and change" (as a dipshit might say), there are definitely more than a few minutes that scream out for editing. Predictable chord sequences and hacknosed lyrics like "Time goes by/Seems like the blink of an eye" take some of the fire out of what is otherwise the most well-produced and lovily-performed (and ORCHESTRATED!) CD they've done in quite some time. If you're a big fan, you should buy it. It's definitely the best thing they've done since The Present!

Reader Comments

stoo@imsa.edu (John McFerrin)
8

The Moody Blues are officially back! John's individual contributions are a little dull/generic, but other than that, this album is practically perfect (and no stupid 'rockers' this time). Justin's voice is still gorgeous as ever, and all 8 songs that he had a writing role in are fantastic. The singles English Sunset and Haunted are wonderful Present-style pop songs, the title track is utterly fantastic, Sooner or Later (Walking on Air) is terrific ... the list goes on and on. Lots of BlueJaysish orchestration, and there's even a neat poem at the end!

Basically, the guys finally realized that they couldn't be taken seriously if they kept trying to be 'young' and 'hip', so they returned to their greatest strength; being true to themselves. There's somewhat of a concept to the whole album, about the passage of time (TOCCC anyone?) and how nothing really changes even as everything seems to change.

Get this album ASAP if you're even remotely a Moodies fan, you shant regret it.

robertk@jove.acs.unt.edu (Robert Linus Koehl)
Finally it's here, Strange Times is here, and here are my early thoughts on it . . .

It opens with a slight nod to their 80s albums with "English Sunset." It's a great number, even though it borders on techno. I'm glad they chose it as the single. Then, Justin gives us a follow up to "Broken Dream" with "Haunted." So far so good, but then . . . WHAT THE HELL!!!! "Sooner or Later" is a wierd rock tune. On one hand, it features Justin, John and Ray trading off lead vocals for the first time since "After You Came" off Every Good Boy. The chorus is annoying but still better than anything on Keys of the Kingdom. John's up next with a dark number called "Wherever You Are" It's driven by this creepy flute line. It's a great song. I love it. Justin keeps things going with a rocker called "Foolish Love." Still going strong, but then . . . Oh, "Love Don't Come Easy" is a good song, but I miss the rocker John. Of course, Justin follows it up with a real shocker as side one closes with a COUNTRY WALTZ! Seriously. I'm not kidding.

Side two starts with the title track "Strange Times." Most of us have heard this song several times already since they've been doing it in concert for some time now, but this new studio version is better than any of the live renditions they've been churning out. The electro-percussion effects make it perfect. Then, the orchestra comes in and launches the band into what is probably one of the best John Lodge songs ever, "Words You Say" is a gorgeous ballad, right up there with "Nervous" and "Who Could Change." This song will make you cry. It's a definite highlight on this album. I can't wait to hear it in concert. Ray's up next with a goofy ditty much like "Another Morning" and "Nice to Be Here" called "My Little Lovely." Next up is another ballad from John.(too many ballads John, give us another "Sitting at the Wheel" will ya) "The One" brings the rock pace back, "The Swallow" shoots it back down, but both are fantastic numbers. Then Greame closes the album with a poem entitled "Nothing Changes."

So overall, it's the best Moody's album since Long Distance Voyager. Ray and Greame are back. Justin is his usual self, and John is writing his most beautifull ballads ever. It also sounds like John is singing IN HIS VOCAL RANGE! Something he hasn't done since his solo album. It's also great to see Ray, John and Justin all three harmonizing again!!! This album really FEELS like classic Moody's. "Words You Say" FEELS like Days of Future Passed. "Sooner Or Later" FEELS like Bluejays with Ray added in. Upon my fifth listen today (yes, this album is addictive) I've have to give it a rating of NINE. Yes, that's nine, as in damn near the best thing they've ever done.

Well, enough ranting on my part. If you want, you can post that until you get a chance to hear it for yourself. I really think you'll like this one. I know I did.

stoo@imsa.edu (John McFerrin)
After my own 4th or 5th listen of the day (damn right this album is addictive) I've gotta agree with Robert and give this a 9. I'm still a bit iffy about John's numbers, but Justin's songs have grown on me even more than I thought they would. Best since Long Distance Voyager? Hell, this is their best since Seventh Sojourn, and maybe even better.

Mark, about your comment on the length of the album; even though it's 57 minutes, it seems MUCH shorter than that to me. I mean, Forever Now ends and The One comes on, and I'm always like "Aaaaaaaaaahhh!! There's only two more tracks after this song ends? Nooooooo!!!!"

And yeah, maybe The Swallow is a little too syrupy, and Justin goes a little long on the acoustic-dicking-around, but it's still cute. And yeah, maybe some of the songs are somewhat predictable, but for some reason, that doesn't irritate me like it probably would otherwise. Who knows, maybe I'm just high on that "Yeah! The Moodies don't suck now after all!!" vibe, and maybe it's clouding my impartiallity. As is, though, this has cemented itself as my third favorite, behind SS but ahead of Days.

That being said, I'm glad you liked the album.

GRIJ@chevron.com (Jennifer Griggs)
After waiting 8 LONG years for their new album, I'm overjoyed with Strange Times. It's vintage Moodies along with a 90's sound. As stated by everyone else, it's very addictive. The first week I had it, each day, I took it out of my CD player at home, inserted it into my CD changer in the car and when I arrived at work, took it out of the car and kept in in my CD Rom on my computer at work and at the end of the day, same process over again, only backwards.

It's a fantastic album with great vocals by Justin, John and Ray. (I'm a singer myself and nitpick everything I hear). I guess my faves would have to be a toss up between "English Sunset" and "The Swallow" and "Foolish Love". But I love them all. I'm seeing them in Houston on October 16 and cannot wait! (It'll be my 3rd Moodies concert) By the way, is it just me, or is that song, "The One" directed at Mike Pinder?

I give it a 10 all the way! Justin, John, Ray and Graeme are classy, elegant, extremely talented gentlemen and as far as I'm concerned, they rule!!

TOMBRADY33@aol.com
I think the Moody's have kept the mystery of their magical music but have also advance into the 90 's with this new album ,Strange Times. After eight years the group has come out with a new album which has 14 new songs which will differently keep you listening to this great cd!

Karlphills@aol.com
The first moodies album since 1972 where I did not ask myself `where`s Mike Pinder?` Who cares.This is wonderfull pop music crafted by experts and the first moodies album in 27 years that is not a dissapointment.John`s voice sounds great despite the weakness of a few of the songs......`words you say ` one of the best things he has ever done.Justin`s tunes ,as usual, are excellent and well crafted.Even the daft poem at the end sends shivers up the spine...`We have all heard the Word`.........Indeed! 9 out of 10 and deserves to be a chart hit.

Rartnriver@aol.com (Frank Peters)
I love the guys but as far as I'm concerned no way on the new CD, cant even get thru the thing without shutting it off. Think Justin should start singing in a lower key, but the bottom line is Mike Pinder. Lets leave it off the way we began.

Slidernumber9@aol.com (Don Gilmore)
As an ardent fan of the boys since 1967, and after having had a chance to work with them a couple times, I consider myself a qualified critic. The first time I heard Strange Times I thought this was the end for them.

However it becomes infectious. The more I listen the more I like it. However I refuse to believe that the band would pick"English Sunset" as the single over "Sooner or Later" and expect to get airplay, Who the hell cares about English sunsets?

Justin's songs are consistently great. John's ballads are embarrasingly bad, and Ray can do much better. They really needed the objective viewpoint of an outside producer on this album.

Although the sound is tight, fresh, and well recorded, the vocal mixes are the worst I have ever heard from them. Half hearted harmonizing really hurts the album.

What would be a real shot in the arm for them right now is to bring back Mike Pinder.

Wouldn't that be great after all this time now that Mike kid's have grown up! Justin has always mentioned to me how he misses his music.

In a nutshell there are 5 bloody good songs on the album, and the rest are very forgettable.I hope this album gets the airplay it deservesm, for I would love to see the guys back on top again, not relegated to "a strange and distant time" of nostalgia.

d1812@webtv.net (Debbie Leidy)
how do people have the nerve to express an opinion about something so personal ? I think what the moodies and especially justin puts out there is sooooooo incredibly full of their feeling on life, love and the way of the world.......... The view especially shows just how much justin has to say about life today and still comments on that unattainable love he has written about for the past 35 yrs. I still can't understand how smeone who claim to be hapily married can write such beautiful and haunting love songs of sadness and lost loves......... well I will end my ranting with this final note, we are very lucky all us true moody fansthat they have given us over 30 yrs of beautiful and thoughtful and moving music and when it comes to justin all I can say is that every man should have his heart and soul. the world would be a better place for sure.

Yupaha@aol.com
Moodies fan forever here.I heard there was to be a new album coming and I kept waiting for the big event. Married with two kids and living a very busy life I'm guilty of not running out and buying it...but something needs to be said about todays music and the simple fact I haven't heard anything from the new album on the air waves. Where is everybody? I crave the moodies sound after all these years,good review or bad,rock tunes or orchestra...I need it...and after listening to what is on the air today can't say but one thing...strange days indeed!

kafm@primus.com.au (Peter Gray)
What more can one say, to true Moodies fans this is a 10 Album well worth the 8 year wait, If you really are a true moody Blues fan, like me since 1965, then you cannot fault anything on any album.

"Strange Times " there are some Strange people out there who claim to be music critics.

The Moody Blues, surely one of the greatest bands of all time.

Rock on into the new millennium Juss and the boys

you are the greatest

akenyon@ups.edu (Amanda Kenyon)
This is a terrific album. Very tight, very well put together. Although I'm really not sure why they chose to use English Sunset as the single when there are so many other songs that, in my opinion, are much better and more commercially attractive. Foolish Love, for instance, which has found its way to my list of favorite MB songs. Excellent album. The best since Seventh Sojourn.

ehurden@on.aibn.com (Esther)
The music continues to accompany and coincide with events in my personal life, not that personal that I can't post it, so to make my point, here goes...

English Sunset's lyrics make me think this might be the last recording as a group. As a since forever fan I just gasp at the thought! The Swallow fits so beautifully with my dear friend's early retirement..."It's so strange, life in the really slow lane, take it easy, that's what we'll do..."

My Little Lovely will always make me think of my other friend who had a daughter born just around the time of the release of Strange Times. Forever Now, took me into the year 2000 with amazing memories. Words You Say To Me is what my guy should be singing when he be bad, bad, bad! (Oops, did I get too personal!? Well, aren't all men like that sometimes!?)

Wherever You Are just reminds me to be a decent person so you can live with yourself. "let your shadow show..."

With Sooner Or Later, I was walking on air when I found out I was able to see the Strange Times tour twice in 6 months.

You get the idea though...the Moody Blues just keep coming at us with things people can relate to in their hearts and lives. Now if I can only slot The One into some type of perspective, I'll be content!

All in all, it's a delightful album and bless these guys for still giving.

NOLARD9999@aol.com
I'm listening right now...My Little Lovely...sounds like For My Lady..the one part...I think so anyway..Forever Ever..a little like..Isn't Life Strange.... Anyway..I intend to listen until I see them on July 18 in Buffalo at ARTPARK...seeing they are not coming to Canada, can't believe they are not playing Toronto.. Anyway...It's so great to talk to a true Moody Blue Fan...Fans....they helped change my life with their lyrics...especially..Lost In A Lost World...that was me a 13 years old..lost..well..enough of my story...I love Strange Times...and I'm really hoping that we they play at Artpark that when they sing these lines...I feel the rhythm of the earth in my soul tonight..may it never fade away.....I hope they move like I envision...okay enough yapping...take care Moody Blue fans...Moody Blue fans cannot just happen..who we are is where we have been....A time on this Earth...while the Beatles, Stones and The Who were yelling out their power on Earth..these magicians flew us into space and we loved Earth even more because of it.. Good Night..hope all of you catch a concert in your neck of the woods....nothing changes and nothing stays the same and life is still a simple game... My name is Anthony....take care

thecroft@enterprise.net (Andrew A. Morton)
Have to agree with most of the folk here. I've been a fan since about '78 around and about Octave). At first this album didn't do too much for me. Then, after a couple of listens, I found I was singing bits of it around the house in a way I haven't done for a while. There's something about this album which says 'stuff the production and the technology - let's just sing'. I've really come to like it.

glena@companionlink.com (Glena Dusky)
I have been in love with the Moody Blues since I was 15, and I finally got to see them 25 years later in concert. 4 hours of non stop music, Lets see some of the younger bands try this one!! The concerts I have been to play 1/2 hour, and whine that they are tired. I watched them in an interview with Kathy and Regis a few years ago, alas, Regis wouldn't shut up and let them talk. They were far more interesting than he was.

sweetpea711@hotmail.com (Nancy DiNardo)
what a dopey review about the wonderful moody blues!

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